The ecosystem of concatenative synthesis systems is large, diverse and oftentimes esoteric. In this article, we examine many of its key works, attempting to summarise, compare and categorise their characteristic traits. We observe that many existing systems have not taken into account any user other than the designer of the system. Subsequently we position our own implementation in this ecosystem as geared specifically with electronic dance music producers in mind. Through intensive discussion with producers and commercial music software practitioners we summarise their reactions, responses and impressions to the usability and musicality of this approach to music creation. We report on active and future work based on the outcomes of these d...
When a musical sound is generated electronically, it is important to have a good model with paramete...
This paper discusses the creation of instruments in which music is intentionally generated by dance....
In this chapter, the author writes about the creative process behind her dance and sound collaborati...
Comunicació presentada al 4th International Workshop on Musical Metacreation (MUME 2016), dins de la...
In this article, we summarize recent research examining concatenative synthesis and its application ...
cote interne IRCAM: Schwarz06bNone / NoneNational audienceConcatenative sound synthesis is a promisi...
Comunicació presentada a la 17th International Society for Music Information Retrieval Conference (I...
Concatenative data-driven synthesis methods based on a large database of sounds and a unit selection...
Although there has been a good deal of research in concatenative synthesis, most existing approaches...
cote interne IRCAM: Schwarz12aNone / NoneNational audienceCorpus-based concatenative synthesis is a ...
Music has been constantly reinvented by a multitude of inventions. In recent years, digital technolo...
cote interne IRCAM: Schwarz07bNone / NoneNational audienceCorpus-based concatenative synthesis (CBCS...
This portfolio explores stylistic and procedural cross-fertilisation between contemporary art music ...
cote interne IRCAM: Einbond11aNone / NoneNational audienceHow can sound descriptors arising from stu...
In this paper, I review recent interactive music and dance collaborations and discuss my composition...
When a musical sound is generated electronically, it is important to have a good model with paramete...
This paper discusses the creation of instruments in which music is intentionally generated by dance....
In this chapter, the author writes about the creative process behind her dance and sound collaborati...
Comunicació presentada al 4th International Workshop on Musical Metacreation (MUME 2016), dins de la...
In this article, we summarize recent research examining concatenative synthesis and its application ...
cote interne IRCAM: Schwarz06bNone / NoneNational audienceConcatenative sound synthesis is a promisi...
Comunicació presentada a la 17th International Society for Music Information Retrieval Conference (I...
Concatenative data-driven synthesis methods based on a large database of sounds and a unit selection...
Although there has been a good deal of research in concatenative synthesis, most existing approaches...
cote interne IRCAM: Schwarz12aNone / NoneNational audienceCorpus-based concatenative synthesis is a ...
Music has been constantly reinvented by a multitude of inventions. In recent years, digital technolo...
cote interne IRCAM: Schwarz07bNone / NoneNational audienceCorpus-based concatenative synthesis (CBCS...
This portfolio explores stylistic and procedural cross-fertilisation between contemporary art music ...
cote interne IRCAM: Einbond11aNone / NoneNational audienceHow can sound descriptors arising from stu...
In this paper, I review recent interactive music and dance collaborations and discuss my composition...
When a musical sound is generated electronically, it is important to have a good model with paramete...
This paper discusses the creation of instruments in which music is intentionally generated by dance....
In this chapter, the author writes about the creative process behind her dance and sound collaborati...