Muttusvami Dikshitar, who is one of the Trinity of Carnatic Music, was born in Thiruvarur. He was a great Devi Upasaka and out of his devotion to Kamalāmba, the celebrated deity at the famous Tyagaraja temple in Thiruvarur, Dikshitar has composed nine compositions on Goddess Kamalāmbika. These compositions show his proficiency in the Sanskrit language, especially Sri Cakra and its Āvaraṇa-s. Though these compositions are nine in number, they are preceded by a Dhyana kṛti and succeeded by a Mangala kṛti. Navāvaraṇa kirtan-s are composed based on the Vibhakti (case ending) of Sanskrit grammar. Muttusvami Dikshitar’s devotional outpourings towards Goddess Kamalāmba can be seen in these compositions. The composition ‘Sri Kamalāmbikayā’ composed...
‘Kalyani’ is a Melakarta raga in the southern Indian musical system, from which the main theme of th...
The musical structure, as well as the lyrics of the bandish (composition), have an integral relation...
Padmavati is an original composition inspired by what I have learned about Indian Classical Music as...
Karṇāṭaka Trimūrti - the virtuosi of the South Indian classical music and the influencer...
In India, music is believed to be as eternal as God. Before the creation of the world —it existed as...
The Nata Sankirtana style of singing which was introduced during the reign of Rajarshi Bhagyachandra...
The Āmuktamālyada of the sixteenth century Vijayanagara monarch Kṛṣṇadevarāya is a poetic masterpiec...
The classical tradition of the Tamils can be identified through Sangam literature and “Tholkappiyam”...
Mahakavi Subramania Bharathiyar was a great poet of the twentieth century. Mahakavi Bharathiyar's wo...
La présente étude aborde la problématique de la fonction et du statut du compositeur - comme celle d...
A lingam sometimes referred to as linga or Shiva linga, is an abstract of the Hindu deity Shiva in S...
A lingam sometimes referred to as linga or Shiva linga, is an abstract of the Hindu deity Shiva in S...
This essay’s major objective is to explain the tantric idea that Muthuswamidikshitar used in his com...
A lingam sometimes referred to as linga or Shiva linga, is an abstract of the Hindu deity Shiva in S...
The term daśāvatāras stands for the ten incarnations of Viṣṇu. They are Matsya, Kūrma, Varāha, Nṛsiṁ...
‘Kalyani’ is a Melakarta raga in the southern Indian musical system, from which the main theme of th...
The musical structure, as well as the lyrics of the bandish (composition), have an integral relation...
Padmavati is an original composition inspired by what I have learned about Indian Classical Music as...
Karṇāṭaka Trimūrti - the virtuosi of the South Indian classical music and the influencer...
In India, music is believed to be as eternal as God. Before the creation of the world —it existed as...
The Nata Sankirtana style of singing which was introduced during the reign of Rajarshi Bhagyachandra...
The Āmuktamālyada of the sixteenth century Vijayanagara monarch Kṛṣṇadevarāya is a poetic masterpiec...
The classical tradition of the Tamils can be identified through Sangam literature and “Tholkappiyam”...
Mahakavi Subramania Bharathiyar was a great poet of the twentieth century. Mahakavi Bharathiyar's wo...
La présente étude aborde la problématique de la fonction et du statut du compositeur - comme celle d...
A lingam sometimes referred to as linga or Shiva linga, is an abstract of the Hindu deity Shiva in S...
A lingam sometimes referred to as linga or Shiva linga, is an abstract of the Hindu deity Shiva in S...
This essay’s major objective is to explain the tantric idea that Muthuswamidikshitar used in his com...
A lingam sometimes referred to as linga or Shiva linga, is an abstract of the Hindu deity Shiva in S...
The term daśāvatāras stands for the ten incarnations of Viṣṇu. They are Matsya, Kūrma, Varāha, Nṛsiṁ...
‘Kalyani’ is a Melakarta raga in the southern Indian musical system, from which the main theme of th...
The musical structure, as well as the lyrics of the bandish (composition), have an integral relation...
Padmavati is an original composition inspired by what I have learned about Indian Classical Music as...