In this paper, I will propose a series of Artificial Computer Creativity (ACC) techniques based on Collaborative Intelligence from a multidisciplinary approach. The common thread here are some reflections on the Turing Test (TT) that will inspire alternative metrics of validation. I will propose Collaborative Intelligence (CI) techniques as an expansion of anthropocentric ACC by: replacing the idea of imitation in its basis with playing a game, using selfreferentiality and circularity between the generative and the validation processes; having hybrid man-machine networks; incorporating algorithms that function as mediators of the nodes in hybrid networks avoiding centralities and by integrating self-referential metrics in the works themselv...
Traditional Musical Computation Systems had to face the differences between the computational techni...
This dissertation reports on interdisciplinary research concerning interaction in the fields of comp...
In this chapter, I present a pragmatic, critical, and sometimes speculative view of what Machine Lea...
In this paper we propose a framework to take the next step towards making creative machines. Taking ...
This article explores the notion of human and computational creativity as well as core challenges fo...
SomSwarm 1 is a ‘computational creativity’ implemented for musical improvisation performance togethe...
Co-creativity is a unique artistic situation where human interact with computer, and raises challeng...
Artificial intelligence has been deployed to create competent music. Learning algorithms have been t...
In human society, creativity is essential for human to achieve unique performance on generating seve...
International audienceThis article presents a five-year collaboration situated at the intersection o...
International audienceMusical co-creativity aims at making humans and computers collaborate to compo...
National audienceThis paper presents a prototypical computational framework for music computing appr...
I introduce my machine music improviser entitled Favoleggiatori 2 which is an implementation based o...
The use of technology has revolutionized the process of music composition, recording, and production...
Co-creation strategies for human-machine collaboration have been explored in various creative discip...
Traditional Musical Computation Systems had to face the differences between the computational techni...
This dissertation reports on interdisciplinary research concerning interaction in the fields of comp...
In this chapter, I present a pragmatic, critical, and sometimes speculative view of what Machine Lea...
In this paper we propose a framework to take the next step towards making creative machines. Taking ...
This article explores the notion of human and computational creativity as well as core challenges fo...
SomSwarm 1 is a ‘computational creativity’ implemented for musical improvisation performance togethe...
Co-creativity is a unique artistic situation where human interact with computer, and raises challeng...
Artificial intelligence has been deployed to create competent music. Learning algorithms have been t...
In human society, creativity is essential for human to achieve unique performance on generating seve...
International audienceThis article presents a five-year collaboration situated at the intersection o...
International audienceMusical co-creativity aims at making humans and computers collaborate to compo...
National audienceThis paper presents a prototypical computational framework for music computing appr...
I introduce my machine music improviser entitled Favoleggiatori 2 which is an implementation based o...
The use of technology has revolutionized the process of music composition, recording, and production...
Co-creation strategies for human-machine collaboration have been explored in various creative discip...
Traditional Musical Computation Systems had to face the differences between the computational techni...
This dissertation reports on interdisciplinary research concerning interaction in the fields of comp...
In this chapter, I present a pragmatic, critical, and sometimes speculative view of what Machine Lea...