We report on the design and deployment of systems for the performance of live score accompaniment to an interactive movie by a Networked Musical Ensemble. In this case, the audio-visual content of the movie is selected in real time based on user input to a Brain-Computer Interface (BCI). Our system supports musical improvisation between human performers and automated systems responding to the BCI. We explore the performers' roles during two performances when these socio-technical systems were implemented, in terms of coordination, problem-solving, managing uncertainty and musical responses to system constraints. This allows us to consider how features of these systems and practices might be incorporated into a general tool, aimed at any mus...
A recent study of electroencephalogram (EEG) activity associated with musical cognition has suggeste...
Live performances which involve digital technology often strive toward clear correspondences between...
The three pieces created with the ‘multi-tool’ approach investigate how interactive audio-visual sys...
This paper presents research based on the creation and development of two Brain Controlled Interface...
Artists have been interested in the human brain’s anatomy and physiology since at least the Renaissa...
Most new digital musical interfaces have evolved upon theintuitive idea that there is a causality be...
This paper describes the rationale behind the development of a digital performance system which enab...
Most new digital musical interfaces have evolved upon the intuitive idea that there is a causality b...
This paper explores the question of how live coding musicians can perform with musicians who are not...
We present a novel brain-computer interface (BCI) integrated with a musical instrument that adapts i...
Abstract. This paper expands upon our previous research in the field of Brain-Computer Music Interfa...
Viewing musical improvisation in the light of psychology and cognitive science, this thesis will exp...
Commercial non-invasive BCI (Brain Computer Interface) devices are currently applied in several rese...
Described herein is a practical experiment in the spontaneous composition of music through real-time...
This thesis suggests a new model of human-machine interaction in the domain of non-idiomatic musical...
A recent study of electroencephalogram (EEG) activity associated with musical cognition has suggeste...
Live performances which involve digital technology often strive toward clear correspondences between...
The three pieces created with the ‘multi-tool’ approach investigate how interactive audio-visual sys...
This paper presents research based on the creation and development of two Brain Controlled Interface...
Artists have been interested in the human brain’s anatomy and physiology since at least the Renaissa...
Most new digital musical interfaces have evolved upon theintuitive idea that there is a causality be...
This paper describes the rationale behind the development of a digital performance system which enab...
Most new digital musical interfaces have evolved upon the intuitive idea that there is a causality b...
This paper explores the question of how live coding musicians can perform with musicians who are not...
We present a novel brain-computer interface (BCI) integrated with a musical instrument that adapts i...
Abstract. This paper expands upon our previous research in the field of Brain-Computer Music Interfa...
Viewing musical improvisation in the light of psychology and cognitive science, this thesis will exp...
Commercial non-invasive BCI (Brain Computer Interface) devices are currently applied in several rese...
Described herein is a practical experiment in the spontaneous composition of music through real-time...
This thesis suggests a new model of human-machine interaction in the domain of non-idiomatic musical...
A recent study of electroencephalogram (EEG) activity associated with musical cognition has suggeste...
Live performances which involve digital technology often strive toward clear correspondences between...
The three pieces created with the ‘multi-tool’ approach investigate how interactive audio-visual sys...