This paper describes how the Cognitive Dimensions of Notation can guide the design of algorithmic composition tools. Prior research has also used the cognitive dimensions for analysing interaction design for algorithmic composition software. This work aims to address the shortcomings of existing algorithmic composition software, by utilising the more commonly used score notation interfaces, rather than patch based or code based environments. The paper sets out design requirements in each dimension and presents these in the context of a software prototype. These principles are also applicable for general music composition systems
So we can consider what are the long-term cognitive processes in composition. Problem solving at lar...
This work proposes extensions to Western Music Notation so it can play a dual role: first as a human...
Despite the flowering interest of computer scientists in music, the field of fully automatic composi...
This paper presents and adapts the Cognitive Dimensions of Notations framework (Green and Petre, 199...
This paper presents an analysis of the user interfaces of a range of algorithmic music composition s...
“The original publication is available at www.springerlink.com”. Copyright Springer. [Full text of t...
The Cognitive Dimensions of Notations framework has been created to assist the designers of notation...
The ability for machines to compose novel, interesting and human-esque music is an important and rec...
Abstract:- This paper considers recent developments in the psychology of creativity and human/comput...
Our aim in this paper is to darify the range of motivations that have inspired the development of co...
Music composition is a complex, multi-modal human activity, engaging faculties of perception, memory...
Computer composed music remains a novel and challenging problem to solve. Despite an abundance of te...
In this paper we discuss our recent research into notation systems for interaction design. Inspired ...
In this paper we discuss our recent research into notation systems for interaction design. Inspired ...
This thesis proposes a novel design for an interactive system that introduces people to algorithmic ...
So we can consider what are the long-term cognitive processes in composition. Problem solving at lar...
This work proposes extensions to Western Music Notation so it can play a dual role: first as a human...
Despite the flowering interest of computer scientists in music, the field of fully automatic composi...
This paper presents and adapts the Cognitive Dimensions of Notations framework (Green and Petre, 199...
This paper presents an analysis of the user interfaces of a range of algorithmic music composition s...
“The original publication is available at www.springerlink.com”. Copyright Springer. [Full text of t...
The Cognitive Dimensions of Notations framework has been created to assist the designers of notation...
The ability for machines to compose novel, interesting and human-esque music is an important and rec...
Abstract:- This paper considers recent developments in the psychology of creativity and human/comput...
Our aim in this paper is to darify the range of motivations that have inspired the development of co...
Music composition is a complex, multi-modal human activity, engaging faculties of perception, memory...
Computer composed music remains a novel and challenging problem to solve. Despite an abundance of te...
In this paper we discuss our recent research into notation systems for interaction design. Inspired ...
In this paper we discuss our recent research into notation systems for interaction design. Inspired ...
This thesis proposes a novel design for an interactive system that introduces people to algorithmic ...
So we can consider what are the long-term cognitive processes in composition. Problem solving at lar...
This work proposes extensions to Western Music Notation so it can play a dual role: first as a human...
Despite the flowering interest of computer scientists in music, the field of fully automatic composi...