This paper examines the notion of community as commonly employed within NIME discourses. Our aim is to clarify and define the term through the community of practice framework. We argue that through its formal use and application, the notion of community becomes a significant space for the examination of emergent musical practices that could otherwise be overlooked. This paper defines community of practice, as originally developed in the social sciences by Lave and Wegener, and applies it within the NIME context through the examination of existing communities of practice such as the laptop performance community, laptop orchestras, as well as the Satellite CCRMA and Patchblocks communities
Reflecting on the development of community music practice and theory this chapter describes its dist...
In this paper, we examine the affordances of the concept of 'network jamming' as a means of facilita...
Developing Community Music in Munich: Critical Reflections on a Process The purpose of this present...
Across the world, much community music-making continues to flourish as ‘organic’ practices. But as c...
This paper situates NIME practice with respect to models of social interaction among human agents. I...
Community music therapy and applied ethnomusicology represent approaches to music making that enable...
This study develops conceptual tools in which Community Music practices in the United Kingdom (UK) c...
The practices of Community Music (CM) have tended to evolve in very practical ways, amongst communit...
Developing Community Music in Munich: Critical Reflections on a Process The purpose of this present...
As a community of practice (Lave & Wenger, 1991), Community Music (CM) has traditionally voiced conc...
Live music making can be understood as an enactive process, whereby musical experiences are created ...
In this paper, we report on a qualitative study based on the “Meet4Music” (M4M) project recently dev...
Over the last few years community music has moved from an emergent practice to a fully fledged field...
This paper explores the process of an on-going community music action research group, which I am fa...
Developing Community Music in Munich: Critical Reflections on a Process The purpose of this present...
Reflecting on the development of community music practice and theory this chapter describes its dist...
In this paper, we examine the affordances of the concept of 'network jamming' as a means of facilita...
Developing Community Music in Munich: Critical Reflections on a Process The purpose of this present...
Across the world, much community music-making continues to flourish as ‘organic’ practices. But as c...
This paper situates NIME practice with respect to models of social interaction among human agents. I...
Community music therapy and applied ethnomusicology represent approaches to music making that enable...
This study develops conceptual tools in which Community Music practices in the United Kingdom (UK) c...
The practices of Community Music (CM) have tended to evolve in very practical ways, amongst communit...
Developing Community Music in Munich: Critical Reflections on a Process The purpose of this present...
As a community of practice (Lave & Wenger, 1991), Community Music (CM) has traditionally voiced conc...
Live music making can be understood as an enactive process, whereby musical experiences are created ...
In this paper, we report on a qualitative study based on the “Meet4Music” (M4M) project recently dev...
Over the last few years community music has moved from an emergent practice to a fully fledged field...
This paper explores the process of an on-going community music action research group, which I am fa...
Developing Community Music in Munich: Critical Reflections on a Process The purpose of this present...
Reflecting on the development of community music practice and theory this chapter describes its dist...
In this paper, we examine the affordances of the concept of 'network jamming' as a means of facilita...
Developing Community Music in Munich: Critical Reflections on a Process The purpose of this present...