In this paper the authors present their initial findings from a study into the contemporary use of modular synthesisers. The study works towards the development of an evaluative processmodel examining the strategies modular synthesiser composers use to manage algorithmic complexity. Including observations of users' compositional workflows, which provide insight into the process of building, exploring and rebuilding algorithmic music systems using modular synthesisers. We use these observations to consider what factors cause users to fix certain constraints and explore others. We argue that compositional practice with modular synthesisers provides the ideal testing ground for understanding how machine learning and other algorithmic compositi...
The text is divided into two parts preceded by an introduction. The introduction focuses on some gen...
The text is divided into two parts preceded by an introduction. The introduction focuses on some gen...
The author’s recent software research addresses a deficiency in commercial musical composition softw...
In patching the modular synthesiser we discover its ability to become an automaton and for patches t...
There are two distinct types of creativity: the flash out of the blue (inspiration? genius?), and th...
This practice-based research, which consists of this dissertation, a portfolio of compositions, and ...
Our aim in this paper is to darify the range of motivations that have inspired the development of co...
CREATIVE STRUCTURES OR STRUCTURED CREATIVITY (Investigation algorithmic composition as a pedagogical...
Since 1971, marking my first departure from fourteen years of spontaneous composition, my work has b...
It is argued that the current modular conception of the human mind has important implications for th...
CREATIVE STRUCTURES OR STRUCTURED CREATIVITY (Investigation algorithmic composition as a pedagogical...
CREATIVE STRUCTURES OR STRUCTURED CREATIVITY (Investigation algorithmic composition as a pedagogical...
Some musicians have difficulty with the concept of 'algorithmic composition', so at the st...
The text is divided into two parts preceded by an introduction. The introduction focuses on some gen...
The text is divided into two parts preceded by an introduction. The introduction focuses on some gen...
The text is divided into two parts preceded by an introduction. The introduction focuses on some gen...
The text is divided into two parts preceded by an introduction. The introduction focuses on some gen...
The author’s recent software research addresses a deficiency in commercial musical composition softw...
In patching the modular synthesiser we discover its ability to become an automaton and for patches t...
There are two distinct types of creativity: the flash out of the blue (inspiration? genius?), and th...
This practice-based research, which consists of this dissertation, a portfolio of compositions, and ...
Our aim in this paper is to darify the range of motivations that have inspired the development of co...
CREATIVE STRUCTURES OR STRUCTURED CREATIVITY (Investigation algorithmic composition as a pedagogical...
Since 1971, marking my first departure from fourteen years of spontaneous composition, my work has b...
It is argued that the current modular conception of the human mind has important implications for th...
CREATIVE STRUCTURES OR STRUCTURED CREATIVITY (Investigation algorithmic composition as a pedagogical...
CREATIVE STRUCTURES OR STRUCTURED CREATIVITY (Investigation algorithmic composition as a pedagogical...
Some musicians have difficulty with the concept of 'algorithmic composition', so at the st...
The text is divided into two parts preceded by an introduction. The introduction focuses on some gen...
The text is divided into two parts preceded by an introduction. The introduction focuses on some gen...
The text is divided into two parts preceded by an introduction. The introduction focuses on some gen...
The text is divided into two parts preceded by an introduction. The introduction focuses on some gen...
The author’s recent software research addresses a deficiency in commercial musical composition softw...