Classical Batik Craft Industry in Imogiri Yogyakarta: Existence and Development in the Perspective of Cultural Resilience

This writing aims to describe the development of classic batik motifs in Imogiri hand-drawn batik company, Bantul in relation to the theory of cultural resilience. The results of this study are that the community of batik artisans at the Girisari batik company, related to the theory of cultural resilience according to Talcott Parsons, consists of the categories of adaptation, integration, goal-oriented, and latency. Starting from the problem regarding the development of classic batik motifs found in the Imogiri region in general, there is a significant development between events of social change along with the character of batik creation. This change occurred in a spatial and temporal period for quite a long time and there was a factor of dependence on changes in values at the Yogyakarta palace since the reign of Sultan Hamengku Buwana IX until now. In the case of classic batik motifs related to prohibition motifs, this is fully valid for the legitimacy of symbols and at the same time power, but after there was a policy of simplifying all rituals in the palace, changes began to occur towards the problem of democratization in all fields including iconic batik