Response dataset, Perceived effort experiment Continuous responses of perceived effort in music were measured using five audio/video excerpts of Helmut Lachenmann's "Pression" for solo cello. Participants gave responses by pressing their finger on a force-sensing surface. The pressing force was mapped logarithmically onto a scale from 0 to 1. Each individual participants responses across all five segments have been standardized to z-scores (mean=0, sd=1). File names: Seg[segment number]_[playback condition].csv, where segment number = [1...5] and playback condition = [A, V, AV]: A = Audio only V = Video only AV = Audio and video Column names: time = time stamp of record (numeric, [seconds]) subject = subject id (string) valu...
The design, execution and analysis of a double-blind listening study is described, in which particip...
We compare the continuously perceived expressed arousal of four three-minute musical extracts (three...
Music is often discussed to be emotional because it reflects expressive movements in audible form. T...
Perceived arousal, valence, and effort were measured continuously from auditory, visual, and audiovi...
Dataset and analysis related to the paper Järveläinen, H., and Larrieux, E. Vibrotactile feedback e...
Music performance can be cognitively and physically demanding. These demands vary across the course ...
Abstract. ‘Emotion in Motion ’ is an experiment designed to understand the emotional reaction of peo...
This study was designed to investigate empirically the “aesthetic experience” as individually define...
Time-series modeling of perceived affect in response to a range of instrumental and sound-based musi...
<p>Matlab data file gathering continuous measures of emotion, subjective and physiological, to repea...
This thesis examines the relations among emotions and musical features and their changes with time, ...
This dataset refers to the experiment reported in the paper titled "Effect of Long-Term Music Traini...
The aim of the present study is to introduce a novel, systematic approach for real-time psycho-physi...
170 participants were played short excerpts of orchestral music and instructed to move a mouse curso...
<p>In the present study data related to the processing of a set of music and non-music sounds is obt...
The design, execution and analysis of a double-blind listening study is described, in which particip...
We compare the continuously perceived expressed arousal of four three-minute musical extracts (three...
Music is often discussed to be emotional because it reflects expressive movements in audible form. T...
Perceived arousal, valence, and effort were measured continuously from auditory, visual, and audiovi...
Dataset and analysis related to the paper Järveläinen, H., and Larrieux, E. Vibrotactile feedback e...
Music performance can be cognitively and physically demanding. These demands vary across the course ...
Abstract. ‘Emotion in Motion ’ is an experiment designed to understand the emotional reaction of peo...
This study was designed to investigate empirically the “aesthetic experience” as individually define...
Time-series modeling of perceived affect in response to a range of instrumental and sound-based musi...
<p>Matlab data file gathering continuous measures of emotion, subjective and physiological, to repea...
This thesis examines the relations among emotions and musical features and their changes with time, ...
This dataset refers to the experiment reported in the paper titled "Effect of Long-Term Music Traini...
The aim of the present study is to introduce a novel, systematic approach for real-time psycho-physi...
170 participants were played short excerpts of orchestral music and instructed to move a mouse curso...
<p>In the present study data related to the processing of a set of music and non-music sounds is obt...
The design, execution and analysis of a double-blind listening study is described, in which particip...
We compare the continuously perceived expressed arousal of four three-minute musical extracts (three...
Music is often discussed to be emotional because it reflects expressive movements in audible form. T...