Extensive and Intensive Manifestations of Activity Universalism of the Сreative Personality: Renaissance, Baroque, Classicism

The proposed study is devoted to the universal creative personality. The author considered this phenomenon in the aspect of activity universalism. In this research, the typology of universal creative personality is analyzed on the material of the musical culture of the European tradition. The main purpose of the article is to identify and characterize the features of the activity universalism of the creative personality in the musical culture of the Renaissance, Baroque and Classicism. Research Methodology. О. Komenda created her own author's activity-structural method, in which different psychological and art approaches to the study of universal creative personality combined. The scientific novelty of this study is the development and testing of the activity universalism theory of the creative personality. Conclusions. The author defined the essence of the activity universalism phenomenon and traced its evolution. She revealed his peculiarities in structural, typological, functional and individual-creative aspects. O. Komenda revealed a turning function of the opera in the formation of the universalism of the New Time and determined the role of Je. F. Rameau as a prototype of the classic universal creative personality. The author specifies such concepts: the phenomenon of activity universalism, historical and activity types of universalism, universal creative personality, leading and auxiliary activities, the structure of activity universalism, the functions of a universal creative personality and types of activity universalism in the music-historical process. The development of the typological, functional and individual aspects of activity universalism determined the theoretical significance of this thesis. The application of the interdisciplinary approach provided the modernity and significance of its theoretical achievements