The relation psychologism - theatricality in Ion Druţă's narrative discourse

The object of study in this article is the role of psychologism in highlighting / creating theatricality in the narrative literary text. Being an aesthetic category that is at the intersection of psychology, philosophy and art, psychologism is approached on the basis of inter- and trans-disciplinary methods, having as support Ion Druţă’s narrative discourse. The artistic vision of this author shows, to a large extent, that the synthesis of the arts, of the forms of plastic expression has a specific role in creating theatricality not only in his dramaturgy, but also in his prose. We will focus on the relation between psychology, literary and theatrical arts in their syncretic manifestation in an epic text and in the possibility / perspective of its reception. We will point out that in the Drutsian narrative discourse, psychologism, as a way of artistic transfiguration of reality (in particular, the gesture, the psychological description and the psychological narrative, the landscape, the artistic detail and so on), contributes to the creation of theatricality in this type of discourse