Michael Willis, "Religious and Royal Patronage in North India," in Gods, Guardians, and Lovers: Temple Sculptures from North India, A.D. 700-1200, edited by V. N. Desai and Darielle Mason (Middletown, NJ: Grantha, 1993): 48-65. Sculpture, Hindu -- India -- Exhibitions. Gods, Hindu, in art -- Exhibitions. Goddesses, Hindu, in art -- Exhibitions
Michael Willis (1996) Architecture in Central India under the Kacchapaghata Rulers, South Asian Stud...
14 papers presented at the South Asian Archaeology Conference, London, The British Museum, July 200
14 papers presented at the South Asian Archaeology Conference, London, The British Museum, July 200
Michael Willis, The Archaeology of Hindu Ritual: Temples and the Establishment of the Gods (Cambridg...
The earliest extant depictions of the Ramayana in Indian art are found on narrative reliefs on Hindu...
Parlier-Renault Edith. Michael Willis, The Archaeology of Hindu Ritual Temples and the Establishment...
La sculpture d’Himachal Pradesh connaît entre le septième et le quatorzième siècle un grand développ...
Changes in the political and religious situation in Northern India at the beginning of the medieval ...
The critical role of patronage in defining regional identity and art in northwest India during the K...
Hindu culture contains not only a range of kinds of visual arts - from images and decorative pattern...
How and when did the Hindu temple come to be associated with dynasties, rulers and political process...
Presentation of the collection of sculptures from Eastern India in the Museum of Asian Art, Berlin (...
From Shrine to Plinth examines the role of artist intervention in contemporary museums. It undertake...
Copper plate charters are one of the most important sources for the study of reli-gious patronage. A...
Phyllis Granoff, "Halāyudha's Prism: The Experience of Religion in Medieval Hymns and Stories", in V...
Michael Willis (1996) Architecture in Central India under the Kacchapaghata Rulers, South Asian Stud...
14 papers presented at the South Asian Archaeology Conference, London, The British Museum, July 200
14 papers presented at the South Asian Archaeology Conference, London, The British Museum, July 200
Michael Willis, The Archaeology of Hindu Ritual: Temples and the Establishment of the Gods (Cambridg...
The earliest extant depictions of the Ramayana in Indian art are found on narrative reliefs on Hindu...
Parlier-Renault Edith. Michael Willis, The Archaeology of Hindu Ritual Temples and the Establishment...
La sculpture d’Himachal Pradesh connaît entre le septième et le quatorzième siècle un grand développ...
Changes in the political and religious situation in Northern India at the beginning of the medieval ...
The critical role of patronage in defining regional identity and art in northwest India during the K...
Hindu culture contains not only a range of kinds of visual arts - from images and decorative pattern...
How and when did the Hindu temple come to be associated with dynasties, rulers and political process...
Presentation of the collection of sculptures from Eastern India in the Museum of Asian Art, Berlin (...
From Shrine to Plinth examines the role of artist intervention in contemporary museums. It undertake...
Copper plate charters are one of the most important sources for the study of reli-gious patronage. A...
Phyllis Granoff, "Halāyudha's Prism: The Experience of Religion in Medieval Hymns and Stories", in V...
Michael Willis (1996) Architecture in Central India under the Kacchapaghata Rulers, South Asian Stud...
14 papers presented at the South Asian Archaeology Conference, London, The British Museum, July 200
14 papers presented at the South Asian Archaeology Conference, London, The British Museum, July 200
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