In this essay, I discuss Baumgarten’s neglected doctrine of taste. In particular I investigate his definition of taste as the judgment of the senses against the backdrop of the philosophical debate of his day (Muratori, Du Bos), pointing out the biblical and classical sources of the idea of a judging aisthesis. In addition, I analyse the radical change that the definition of taste as the judgment of the senses brings about in the idea of both taste and the judgment of the senses with regard to Wolff. Highlighting the link with the issue of analogon rationis and beauty, I conclude that the concept of taste is at the core of Baumgarten’s new aesthetic project
This paper argues that the structural obscurity in Kant’s Critique of the Power of Judgment reflects...
Why did Kant write the Critique of Judgment, and why did he say that his analysis of the judgment of...
The starting point for my analysis of nineteenth-century criticism is the recognition that the word ...
In this essay, I discuss Baumgarten’s neglected doctrine of taste. In particular I investigate his d...
(in English) The thesis focuses on the conception of taste of Kant in the "Critique of Judgment". Th...
This article explores the genealogical and metaphysical grounds for the positive re-evaluation of th...
The development of interpretive criticism in the arts has raised doubts concerning the possibility f...
The first part of the following text does make the map of an answer to the question of knowing if an...
Aesthetics is the part of contemporary academic philosophy that is concerned with art, beauty, criti...
Alexander Baumgarten, still very dependent on the scolastic and wolffian heritages, déplaces the tho...
The analogy between gustatory taste and critical or aesthetic taste plays a recurring role in the hi...
P(論文)A. G. Baumgarten defines beauty as "perfectio cognitionis sensitivae, qua talis" in §14 of his ...
In the middle of the 18th century, A. Baumgarten established a science of sensitive knowledge also ...
Some confusion arises regarding the philosophical discipline of aesthetics beginning from the origin...
Le présent ouvrage souhaite montrer que la création de l’esthétique philosophique par Alexander Gott...
This paper argues that the structural obscurity in Kant’s Critique of the Power of Judgment reflects...
Why did Kant write the Critique of Judgment, and why did he say that his analysis of the judgment of...
The starting point for my analysis of nineteenth-century criticism is the recognition that the word ...
In this essay, I discuss Baumgarten’s neglected doctrine of taste. In particular I investigate his d...
(in English) The thesis focuses on the conception of taste of Kant in the "Critique of Judgment". Th...
This article explores the genealogical and metaphysical grounds for the positive re-evaluation of th...
The development of interpretive criticism in the arts has raised doubts concerning the possibility f...
The first part of the following text does make the map of an answer to the question of knowing if an...
Aesthetics is the part of contemporary academic philosophy that is concerned with art, beauty, criti...
Alexander Baumgarten, still very dependent on the scolastic and wolffian heritages, déplaces the tho...
The analogy between gustatory taste and critical or aesthetic taste plays a recurring role in the hi...
P(論文)A. G. Baumgarten defines beauty as "perfectio cognitionis sensitivae, qua talis" in §14 of his ...
In the middle of the 18th century, A. Baumgarten established a science of sensitive knowledge also ...
Some confusion arises regarding the philosophical discipline of aesthetics beginning from the origin...
Le présent ouvrage souhaite montrer que la création de l’esthétique philosophique par Alexander Gott...
This paper argues that the structural obscurity in Kant’s Critique of the Power of Judgment reflects...
Why did Kant write the Critique of Judgment, and why did he say that his analysis of the judgment of...
The starting point for my analysis of nineteenth-century criticism is the recognition that the word ...