Emotions in the Structure of the Choreographic Text

The article is devoted to the designation of emotions in the structure of choreographic text of modern choreographic art, which is the problem of the theory of dance in its direct connection with psychology, as well as relevant in the context of a cognitive approach with characteristic interdisciplinary comparisons. The notations of emotions in the creation of the imaginative system and the compositional and textual structure, as well as the connection with various types of information embedded in the choreographic text, are investigated. Purpose of research is the designation of emotions and their significance in the structure of the choreographic text of a modern choreographic work. Methodology. Appealing to the integral functions of scientific discourse today distinguishes the approach to the modern choreographic art. Therefore, the study uses a cognitive approach to the problem solving with the distinctive interdisciplinary comparisons in the study of the observed phenomena. It allows us to illuminate the object of study comprehensively from the point of view of various cognitive interpretations. Scientific novelty. In this paper, the research capabilities of the modern choreographic art analytics are significantly expanded through the application of integral components. Conclusions. In this article it is argued that in contemporary studies of choreographic art, the conceptual foundations are supplemented. It is determined that the designation of emotions in the structure of the choreographic text contributes to penetration into the inner world of the heroes, description of their subjective experience, deepening of the human psyche knowledge, and, therefore, reflection of life events. It has been found out that the emotions, expressed in the choreographic text, are connected with a certain way of the choreographer vision of his work space and with the aesthetic function of an artistic text. It has been proved that all this in general reveals the world view of the creator of the choreographic text, affects the feelings and thoughts of the spectators, as well as the form of culture existence in a certain historical epoch