Human-Computer Music Performance for popular music -- where musical structure is important, but where musicians often decide on the spur of the moment exactly what the musical form will be -- presents many challenges to make computer systems that are flexible and adaptable to human musicians. One particular challenge is that humans easily follow scores and chord charts, adapt these to new performance plans, and understand media locations in musical terms (beats and measures), while computer music systems often use rigid and even numerical representations that are difficult to work with. We present new formalisms and representations, and a corresponding implementation, where musical material in various media is synchronized, where musicians ...
This article describes an interactive notation paradigm, which aids in structuring flexible performa...
In this paper we describe our efforts towards the development of live performance computer-based mus...
A system for musical accompaniment is pre-sented in which a computer-driven orches-tra follows and l...
Popular music (characterized by improvised instrumental parts, beat and measure-level organization, ...
Augmenting performances of live popular music with computer systems poses many new challenges. Here,...
Computer accompaniment is now a well-established field of study, but nearly all work in this area as...
This work proposes extensions to Western Music Notation so it can play a dual role: first as a human...
Computer music is that in which computers mediate some or all part(s) of the creative process. Compu...
This thesis contributes to several facets of real-time computer music, using the construct of dynami...
Computer music systems that coordinate or interact with human musicians exist in many forms. Often, ...
As with many other kinds of data, the past several decades have witnessed an explosion in the quanti...
This thesis explores the ability of a computer to arrange music which conforms to the rules of a par...
Computers have the potential to significantly extend the practice of popular music based on steady t...
Human Computer Music Performance (HCMP) is the study of music performance by live human performers a...
Music Understanding refers to the recognition or identification of structure and pattern in musical ...
This article describes an interactive notation paradigm, which aids in structuring flexible performa...
In this paper we describe our efforts towards the development of live performance computer-based mus...
A system for musical accompaniment is pre-sented in which a computer-driven orches-tra follows and l...
Popular music (characterized by improvised instrumental parts, beat and measure-level organization, ...
Augmenting performances of live popular music with computer systems poses many new challenges. Here,...
Computer accompaniment is now a well-established field of study, but nearly all work in this area as...
This work proposes extensions to Western Music Notation so it can play a dual role: first as a human...
Computer music is that in which computers mediate some or all part(s) of the creative process. Compu...
This thesis contributes to several facets of real-time computer music, using the construct of dynami...
Computer music systems that coordinate or interact with human musicians exist in many forms. Often, ...
As with many other kinds of data, the past several decades have witnessed an explosion in the quanti...
This thesis explores the ability of a computer to arrange music which conforms to the rules of a par...
Computers have the potential to significantly extend the practice of popular music based on steady t...
Human Computer Music Performance (HCMP) is the study of music performance by live human performers a...
Music Understanding refers to the recognition or identification of structure and pattern in musical ...
This article describes an interactive notation paradigm, which aids in structuring flexible performa...
In this paper we describe our efforts towards the development of live performance computer-based mus...
A system for musical accompaniment is pre-sented in which a computer-driven orches-tra follows and l...