This paper presents and adapts the Cognitive Dimensions of Notations framework (Green and Petre, 1996) for use in designing and analysing notations (and user interfaces) in both digital and traditional music practice and study. Originally developed to research the psychology of programming languages, the framework has since found wider use in both general HCI and music. The paper provides an overview of the framework, its application, and a detailed account of the core cognitive dimensions, each discussed in the context of three music scenarios: the score, Max/MSP, and sequencer/DAW software. Qualitative and quantitative methodologies for applying the framework are presented in closing, highlighting directions for further development of the...
In this paper, we postulate that combining the domains of information visualization and music studie...
In this paper, we postulate that combining the domains of information visualization and music studie...
This paper presents an analysis of the user interfaces of a range of algorithmic music composition s...
This paper presents and adapts the Cognitive Dimensions of Notations framework (Green and Petre, 199...
This paper describes how the Cognitive Dimensions of Notation can guide the design of algorithmic co...
Introduction. Learning to read music is a complex task which becomes more difficult if it involves s...
The Cognitive Dimensions of Notations framework has been created to assist the designers of notation...
This paper presents concepts, models, and empirical findings relating to liveness and flow in the us...
International audienceThe paper explores the hybridization of notation and instrument as a cognitive...
International audienceThe paper explores the hybridization of notation and instrument as a cognitive...
The paper explores the hybridization of notation and instrument as a cognitive movement from represe...
The paper explores the hybridization of notation and instrument as a cognitive movement from represe...
Music composition is a complex, multi-modal human activity, engaging faculties of perception, memory...
Standard western notation supports the understanding and performance of music, but has limited provi...
Standard western notation supports the understanding and performance of music, but has limited provi...
In this paper, we postulate that combining the domains of information visualization and music studie...
In this paper, we postulate that combining the domains of information visualization and music studie...
This paper presents an analysis of the user interfaces of a range of algorithmic music composition s...
This paper presents and adapts the Cognitive Dimensions of Notations framework (Green and Petre, 199...
This paper describes how the Cognitive Dimensions of Notation can guide the design of algorithmic co...
Introduction. Learning to read music is a complex task which becomes more difficult if it involves s...
The Cognitive Dimensions of Notations framework has been created to assist the designers of notation...
This paper presents concepts, models, and empirical findings relating to liveness and flow in the us...
International audienceThe paper explores the hybridization of notation and instrument as a cognitive...
International audienceThe paper explores the hybridization of notation and instrument as a cognitive...
The paper explores the hybridization of notation and instrument as a cognitive movement from represe...
The paper explores the hybridization of notation and instrument as a cognitive movement from represe...
Music composition is a complex, multi-modal human activity, engaging faculties of perception, memory...
Standard western notation supports the understanding and performance of music, but has limited provi...
Standard western notation supports the understanding and performance of music, but has limited provi...
In this paper, we postulate that combining the domains of information visualization and music studie...
In this paper, we postulate that combining the domains of information visualization and music studie...
This paper presents an analysis of the user interfaces of a range of algorithmic music composition s...