The purposes of this research were (1) to analyze the process of making Kulisusu ethnic woven fabrics (2) to analyze the meaning of the motifs contained in the traditional Kulisusu ethnic woven crafts (3) to analyze the educational values contained in the traditional Kulisusu ethnic woven crafts. This research is a qualitative research and uses a descriptive approach. Data collection is carried out using observation, interviews, and documentation. The results showed that the process of making Kulisusu ethnic woven fabric crafts consisted of 9 stages, namely 1) materials; 2) tools 3) traditional rituals 4) drawing motifs: 5) spinning threads; 6) sorting yarn (pouluri); 7) Arranging yarn (Lopo); 8) tying the motifs on the warp; and 9) weaving...
Hinggi and lau, as East Sumba woven fabrics, are inseparable from the cultural identity contained in...
Abstract : Ethnic weaving from Indonesia is one of the ethnic fabrics that have very high cultural ...
This study aims to develop a learning model of UIS weaving based on the relevant Karo cultural value...
The tittle of this research is Weaving Ulos Silalahi as a Cultural Attribute in Silahisabungan Distr...
ABSTRACT: This research analyzes the motif and colour of endek as one of the Balinese traditional ik...
The Insana woven pattern has a distinctive shape and arrangement. This is considered to be correlate...
The objectives of this study are: (1) to explain the history of the origins of the Muna weaving craf...
Tradisional woven cloth is of the kind that is passed on from generation to generation whose artisan...
This study highlights the aesthetic perceptions of academics regarding the visual complexity of Pua ...
Mats “Ugam” weaving is one of the oldest traditional crafts of the Lun Bawang which was inherited fr...
Every symbol found on Bugih's cloth can be explained as a guide for life in Minangkabau society. Thi...
For the Kefamenanu community, the motif serves as the identity of the person who wears it. Neverthel...
Arts and cultural heritage is a potent reflection of the identity of a community. The art of traditi...
This study was conducted in a traditional wood-carver community at Tonga, Kesu District of North-Tor...
AbstractThis study aimed to describe the mathematical concepts found in the activities of bamboo we...
Hinggi and lau, as East Sumba woven fabrics, are inseparable from the cultural identity contained in...
Abstract : Ethnic weaving from Indonesia is one of the ethnic fabrics that have very high cultural ...
This study aims to develop a learning model of UIS weaving based on the relevant Karo cultural value...
The tittle of this research is Weaving Ulos Silalahi as a Cultural Attribute in Silahisabungan Distr...
ABSTRACT: This research analyzes the motif and colour of endek as one of the Balinese traditional ik...
The Insana woven pattern has a distinctive shape and arrangement. This is considered to be correlate...
The objectives of this study are: (1) to explain the history of the origins of the Muna weaving craf...
Tradisional woven cloth is of the kind that is passed on from generation to generation whose artisan...
This study highlights the aesthetic perceptions of academics regarding the visual complexity of Pua ...
Mats “Ugam” weaving is one of the oldest traditional crafts of the Lun Bawang which was inherited fr...
Every symbol found on Bugih's cloth can be explained as a guide for life in Minangkabau society. Thi...
For the Kefamenanu community, the motif serves as the identity of the person who wears it. Neverthel...
Arts and cultural heritage is a potent reflection of the identity of a community. The art of traditi...
This study was conducted in a traditional wood-carver community at Tonga, Kesu District of North-Tor...
AbstractThis study aimed to describe the mathematical concepts found in the activities of bamboo we...
Hinggi and lau, as East Sumba woven fabrics, are inseparable from the cultural identity contained in...
Abstract : Ethnic weaving from Indonesia is one of the ethnic fabrics that have very high cultural ...
This study aims to develop a learning model of UIS weaving based on the relevant Karo cultural value...