As a general rule, appearances of the Minotaur serve a symbolic function, and young adult fiction is no exception. This chapter examines the use of the Minotaur in British young adult fiction to explore how this mythical creature provides a way to explore the transitions that the target audience for these works experience. The chapter looks at three case studies. Stoneheart animates the Minotaur statue found in the Barbican to serve as the final adversary facing the child protagonists. Similarly, in Shadow of the Minotaur, when Phoenix is drawn into a parallel world accessed by an immersive computer game, he must fight his way through the Minotaur myth to survive. Finally, in Corydon and the Island of Monsters, the Minotaur appears as a fri...
This is a book review of "Chasing Mythical Beasts: The Reception of Ancient Monsters in Children’s a...
This is a book review of Deborah Lindsay Williams\u27 book The Neccessity of Young Adult Fiction whi...
This research project proposes that the monstrous encounter in art, film and story can signify the c...
The monstrosity of the Minotaur lies chiefly in a hybridity that is the more uncanny because the bod...
In his pioneering collections of Greek myths for children, A Wonder Book for Girls and Boys (1851) a...
In this chapter, I trace the boy’s journey into physical, emotional, and historical labyrinths. As I...
The Minotaur is another creature familiar to mythology: half-man, half-bull, given to bestial violen...
The chapter examines the reception of Gorgons, Minotaurs, and Sirens in the BBC popular series Docto...
Marciniak, Katarzyna (Ed.) (2020): Chasing Mythical Beasts. The Reception of Ancient Monsters in Chi...
Today, series of books for adolescents that achieve immense success throughout the world (such as Pe...
Fantasy of the XXI century becomes more attentive to the socio-political realities of our time. The ...
Compares the use and resolution of Minotaur and Labyrinth themes and imagery, and the identification...
This book explores how mythical monsters, present in children’s and young adult culture, become perc...
Who is afraid of the Minoataure ? As an artist I'm interested since several years in mythology. ...
Classical Antiquity is strongly present in youth culture globally. It accompanies children during th...
This is a book review of "Chasing Mythical Beasts: The Reception of Ancient Monsters in Children’s a...
This is a book review of Deborah Lindsay Williams\u27 book The Neccessity of Young Adult Fiction whi...
This research project proposes that the monstrous encounter in art, film and story can signify the c...
The monstrosity of the Minotaur lies chiefly in a hybridity that is the more uncanny because the bod...
In his pioneering collections of Greek myths for children, A Wonder Book for Girls and Boys (1851) a...
In this chapter, I trace the boy’s journey into physical, emotional, and historical labyrinths. As I...
The Minotaur is another creature familiar to mythology: half-man, half-bull, given to bestial violen...
The chapter examines the reception of Gorgons, Minotaurs, and Sirens in the BBC popular series Docto...
Marciniak, Katarzyna (Ed.) (2020): Chasing Mythical Beasts. The Reception of Ancient Monsters in Chi...
Today, series of books for adolescents that achieve immense success throughout the world (such as Pe...
Fantasy of the XXI century becomes more attentive to the socio-political realities of our time. The ...
Compares the use and resolution of Minotaur and Labyrinth themes and imagery, and the identification...
This book explores how mythical monsters, present in children’s and young adult culture, become perc...
Who is afraid of the Minoataure ? As an artist I'm interested since several years in mythology. ...
Classical Antiquity is strongly present in youth culture globally. It accompanies children during th...
This is a book review of "Chasing Mythical Beasts: The Reception of Ancient Monsters in Children’s a...
This is a book review of Deborah Lindsay Williams\u27 book The Neccessity of Young Adult Fiction whi...
This research project proposes that the monstrous encounter in art, film and story can signify the c...