Certain properties of isomorphic layouts are proposed to offer benefits to learning and performances on a new musical instrument. However, there is little empirical investigation of the effects of these properties. This paper details an experiment that examines the effect of pitch adjacency and shear on the performances of simple melodies by 24 musically-trained participants after a short training period. In the adjacent layouts, pitches a major second apart are adjacent. In the unsheared layouts, major seconds are horizontally aligned but the pitch axis is slanted; in the sheared layouts, the pitch axis is vertical but major seconds are slanted. Qualitative user evaluations of each layout are collected post-experiment. Preliminary results ...
The purpose of this study was to determine whether the ability to perceive pitch direction across a ...
The purpose of this study was to investigate aspects of pitch perception of auditors when presented ...
a: The musical sequence played by the non-musician participants. b: Visual template on which the ima...
Certain properties of isomorphic layouts are proposed to offer benefits to learning and performances...
Although isomorphic pitch layouts are proposed to afford various advantages for musicians playing ne...
The physical arrangement of pitches in most traditional musical instruments — including the piano an...
The physical arrangement of pitches in most traditional musical instruments—including the pian...
One of the most important components is a musical performance is the tuning of the pitch. A live pe...
The current study investigates the learning of microtonal tuning systems, which have a different pit...
Representation of pitch in horizontal space and its relationship to musical and instrumental experie...
& In music, melodic information is thought to be encoded in two forms, a contour code (up/down p...
While mastering a musical instrument takes years, becoming familiar with a new music system requires...
While mastering a musical instrument takes years, becoming familiar with a new music system requires...
Sounds that evoke a sense of pitch are ubiquitous in our environment and important for speech, music...
Consistent evidence suggests that pitch height may be represented in a spatial format, having both a...
The purpose of this study was to determine whether the ability to perceive pitch direction across a ...
The purpose of this study was to investigate aspects of pitch perception of auditors when presented ...
a: The musical sequence played by the non-musician participants. b: Visual template on which the ima...
Certain properties of isomorphic layouts are proposed to offer benefits to learning and performances...
Although isomorphic pitch layouts are proposed to afford various advantages for musicians playing ne...
The physical arrangement of pitches in most traditional musical instruments — including the piano an...
The physical arrangement of pitches in most traditional musical instruments—including the pian...
One of the most important components is a musical performance is the tuning of the pitch. A live pe...
The current study investigates the learning of microtonal tuning systems, which have a different pit...
Representation of pitch in horizontal space and its relationship to musical and instrumental experie...
& In music, melodic information is thought to be encoded in two forms, a contour code (up/down p...
While mastering a musical instrument takes years, becoming familiar with a new music system requires...
While mastering a musical instrument takes years, becoming familiar with a new music system requires...
Sounds that evoke a sense of pitch are ubiquitous in our environment and important for speech, music...
Consistent evidence suggests that pitch height may be represented in a spatial format, having both a...
The purpose of this study was to determine whether the ability to perceive pitch direction across a ...
The purpose of this study was to investigate aspects of pitch perception of auditors when presented ...
a: The musical sequence played by the non-musician participants. b: Visual template on which the ima...