The mosaics of the triumphal arch of S. Maria Maggiore contain certain iconographical elements which cannot be explained with the usual reference to the biblical accounts of Christ’s birth and childhood. Such exhaustively discussed elements are the image of the goddess Roma on the front of the temple in the Presentation scene and the sombrely dressed woman in the scene of the Adoration of the Magi. A reinterpretation of these motifs leads to the overlying concept of the arch mosaics as a whole
The aim of this research is to approach and analyse the manifestation and evolution of the idea of R...
The paper is dedicated to the icon of the Mother of God in the church of Santa Maria in Trastevere i...
Between the fourth and the seventh centuries CE, Christian patrons erected thousands of churches, ch...
The mosaics of the triumphal arch of S. Maria Maggiore contain certain iconographical elements which...
The paper is devoted to the Early Christian mosaic decoration of Santa Maria Maggiore church in Rome...
In the present re-reading of the Sistine mosaics of S. Maria Maggiore, which embraces the Old and Ne...
The point of departure for this article is the mosaic with Nilotic motifs that runs along the bottom...
The Santa Maria Maggiore mosaics are a well-studied example of early Christian and late Roman art, c...
The church of S. Maria in Trastevere was one of the tituli or parish churches of ancient Rome, known...
The paper is devoted to the Early Christian mosaic decoration of Santa Maria Maggiore church in Rome...
The church of S. Maria in Trastevere was one of the tituli or parish churches of ancient Rome, known...
During the eleventh and twelfth centuries the Church began a process of renovation (renovatio) and ...
All the architectural elements of a medieval temple, like itself, are common symbolic space where al...
The iconography of Mary bearing the crown and vestments of a Byzantine empress has long been associa...
This thesis focuses on the mosaic scenes of Roman era, especially on the gods and other mythological...
The aim of this research is to approach and analyse the manifestation and evolution of the idea of R...
The paper is dedicated to the icon of the Mother of God in the church of Santa Maria in Trastevere i...
Between the fourth and the seventh centuries CE, Christian patrons erected thousands of churches, ch...
The mosaics of the triumphal arch of S. Maria Maggiore contain certain iconographical elements which...
The paper is devoted to the Early Christian mosaic decoration of Santa Maria Maggiore church in Rome...
In the present re-reading of the Sistine mosaics of S. Maria Maggiore, which embraces the Old and Ne...
The point of departure for this article is the mosaic with Nilotic motifs that runs along the bottom...
The Santa Maria Maggiore mosaics are a well-studied example of early Christian and late Roman art, c...
The church of S. Maria in Trastevere was one of the tituli or parish churches of ancient Rome, known...
The paper is devoted to the Early Christian mosaic decoration of Santa Maria Maggiore church in Rome...
The church of S. Maria in Trastevere was one of the tituli or parish churches of ancient Rome, known...
During the eleventh and twelfth centuries the Church began a process of renovation (renovatio) and ...
All the architectural elements of a medieval temple, like itself, are common symbolic space where al...
The iconography of Mary bearing the crown and vestments of a Byzantine empress has long been associa...
This thesis focuses on the mosaic scenes of Roman era, especially on the gods and other mythological...
The aim of this research is to approach and analyse the manifestation and evolution of the idea of R...
The paper is dedicated to the icon of the Mother of God in the church of Santa Maria in Trastevere i...
Between the fourth and the seventh centuries CE, Christian patrons erected thousands of churches, ch...