The autopsy of Pap. Vat. Gr. 11, containing Favorinus' opere [On Exile], has permitted to obtain a new reading proposal that clears the meaning of an anonymous lyric fragment quoted in col. VII 44-46. Further more, the exegetic, linguistic and metric analysis of the poetic quotation suggest the attribution to Pindar, maybe the Hymn to Zeus Ammon.L'investigation sur le Pap. Vat. Gr. 11, qui nous a transmis l'œuvre de Favorinus [Sur l'exile] a permis d'obtenir une nouvelle proposition de lecture qui éclaire le sens d'un fragment lyrique anonyme que l'on trouve cité à col. VII 44-46. En outre, l'analyse exégétique, linguistique et métrique du lieu poétique en suggère l'attribution à Pindare, peut-être à l'Hymne à Zeus Artimon.Tepedino Guerra A...
This paper attempts to solve a difficult textual problem in Pindar (N. 5. 43). Although the manuscri...
In apertura della parodo lirica dell'"Agamennone", il coro di anziani dichiara di essere in possesso...
The Isthm . 5. 56–58 is one of the few highly controversial cruxes in Pindar, though it may be an...
The autopsy of Pap. Vat. Gr. 11, containing Favorinus' opere [On Exile], has permitted to obtain a n...
This article discusses the verse 13 of Pindar’s sixth Pythian ode. The manuscripts have «χεράδι», bu...
In this article, I offer a philological analysis of an epic fragment transmitted by a Pindaric schol...
The paper suggests a new textual supplement in a fragmentary papyrus text (P. Oxy. 2445, fr. 1, col....
This work aims to provide an edition of some Pindar’s fragments (frr. 51a-d, 52g and 52k M.) related...
Phrynichus’ fragment TrGF 3 F 14, featuring the somewhat loose mention of “hospitable gifts” and beh...
Epigr. Bob. 54 Sp. (= Ps. Auson. 22-23 p. 429/30 Peip.) is an ekphrastic epigram about a painting r...
Two well-known ancient witnesses report that Aristophanes of Byzantium was responsible for the arran...
The paper discusses the phrase ἐμῆς τιμήορος εὐνῆς, occurring in Nonn. Dion. VIII 70. In recent time...
f. 42r Ex prologo | Dal prologo Nam nec Pelotus nec Toas [v. 18] Nomina sunt poetarum pauperum.| ...
quae studio et opera nobilis viri Odoardi Biseti Carlai sunt quamplurimis locis emendata ; et perpet...
In this article, the author investigates the richness of a synaesthetical association recurrent in t...
This paper attempts to solve a difficult textual problem in Pindar (N. 5. 43). Although the manuscri...
In apertura della parodo lirica dell'"Agamennone", il coro di anziani dichiara di essere in possesso...
The Isthm . 5. 56–58 is one of the few highly controversial cruxes in Pindar, though it may be an...
The autopsy of Pap. Vat. Gr. 11, containing Favorinus' opere [On Exile], has permitted to obtain a n...
This article discusses the verse 13 of Pindar’s sixth Pythian ode. The manuscripts have «χεράδι», bu...
In this article, I offer a philological analysis of an epic fragment transmitted by a Pindaric schol...
The paper suggests a new textual supplement in a fragmentary papyrus text (P. Oxy. 2445, fr. 1, col....
This work aims to provide an edition of some Pindar’s fragments (frr. 51a-d, 52g and 52k M.) related...
Phrynichus’ fragment TrGF 3 F 14, featuring the somewhat loose mention of “hospitable gifts” and beh...
Epigr. Bob. 54 Sp. (= Ps. Auson. 22-23 p. 429/30 Peip.) is an ekphrastic epigram about a painting r...
Two well-known ancient witnesses report that Aristophanes of Byzantium was responsible for the arran...
The paper discusses the phrase ἐμῆς τιμήορος εὐνῆς, occurring in Nonn. Dion. VIII 70. In recent time...
f. 42r Ex prologo | Dal prologo Nam nec Pelotus nec Toas [v. 18] Nomina sunt poetarum pauperum.| ...
quae studio et opera nobilis viri Odoardi Biseti Carlai sunt quamplurimis locis emendata ; et perpet...
In this article, the author investigates the richness of a synaesthetical association recurrent in t...
This paper attempts to solve a difficult textual problem in Pindar (N. 5. 43). Although the manuscri...
In apertura della parodo lirica dell'"Agamennone", il coro di anziani dichiara di essere in possesso...
The Isthm . 5. 56–58 is one of the few highly controversial cruxes in Pindar, though it may be an...