Hélène Puiseux, The Framed War The Gulf War was filmed as an American epic with large framed images of reassuring events historicized in such a way as to give them a particular sense as they were happening. In contrast, filmed coverage of ex-Yugoslavia does not succeed in lending coherence to narrow and fragmented framing. In spite of some attempts at historicization, televised images have produced neither sense nor perspective. This war is presented as confusion, the disintegration of time, the tenaciousness of life and the violence of death.Puiseux Hélène. La guerre encadrée. In: L'Homme et la société, N. 107-108, 1993. Guerre et paix aujourd'hui. pp. 51-62
Beyond the lessons drawn from the Balkan conflict, what can be said about the changes in progress in...
À l’occasion du 70e anniversaire de la fin de la Seconde Guerre mondiale et de l’ouverture des camps...
The first and second Gulf Wars are “preventive” military interventions typical of the state of excep...
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This article analyses an example of war footage in order to trace the ways in which the tension betw...
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Comment les médias télévisuels français ont-ils couvert la guerre Iran-Irak (1980-1988) ? À quels im...
International audienceHistory is written in a cultural context where various voices, other than the ...
En s’appuyant sur un grand nombre de films et d’images, cet article rend compte de la constitution d...
Includes bibliographical references (p. 21)As the military operations in Iraq became increasingly mo...
La guerre est une expérience qui, de par sa commotion, confine à l’inénarrable. Elle oblige les écri...
Despite the extensive and discontinuous nature of the media coverage on wars involving Iraq since 19...
The War on Television is a video based ‘performance’ work that explores interference fractured telev...
A critique of the nature of the representation of the Gulf War in the American mass media.Une critiq...
En este trabajo se analiza la dimensión de la experiencia de la guerra de la Bosnia como una experie...
Beyond the lessons drawn from the Balkan conflict, what can be said about the changes in progress in...
À l’occasion du 70e anniversaire de la fin de la Seconde Guerre mondiale et de l’ouverture des camps...
The first and second Gulf Wars are “preventive” military interventions typical of the state of excep...
At the putbreak of the Gulf war, Dan Hallin refers to the conclusions of his research on the Vietna...
This article analyses an example of war footage in order to trace the ways in which the tension betw...
RésuméDepuis mars 2003 et le début de la guerre en Irak, le gouvernement étasunien s’est efforcé de ...
Comment les médias télévisuels français ont-ils couvert la guerre Iran-Irak (1980-1988) ? À quels im...
International audienceHistory is written in a cultural context where various voices, other than the ...
En s’appuyant sur un grand nombre de films et d’images, cet article rend compte de la constitution d...
Includes bibliographical references (p. 21)As the military operations in Iraq became increasingly mo...
La guerre est une expérience qui, de par sa commotion, confine à l’inénarrable. Elle oblige les écri...
Despite the extensive and discontinuous nature of the media coverage on wars involving Iraq since 19...
The War on Television is a video based ‘performance’ work that explores interference fractured telev...
A critique of the nature of the representation of the Gulf War in the American mass media.Une critiq...
En este trabajo se analiza la dimensión de la experiencia de la guerra de la Bosnia como una experie...
Beyond the lessons drawn from the Balkan conflict, what can be said about the changes in progress in...
À l’occasion du 70e anniversaire de la fin de la Seconde Guerre mondiale et de l’ouverture des camps...
The first and second Gulf Wars are “preventive” military interventions typical of the state of excep...