As one of the first readers of this fine collection of chapters in improvisation studies, I’ve been interactively constructing my experiences and interpretations of the chapters as I go along. Engaged reading – like all our characteristic activities – has a substantial improvisatory dimension. Readers are neither passively downloading data transmitted fully formed from the contributors’ minds nor making up whatever we like, projecting our own views onto a blank slate of a book. In forging and sharing here my own idiosyncratic responses, I reach out to other, future readers by welcoming and inviting creative pushback, aiming to open up options, to accept and expand on the rich fare these authors offer us
One of the precursors to this PhD project was an awareness that a great deal of writing about music...
An improvised response to questions about the difference between what I do and how I talk about what...
The idea of improvisation, broadly defined, has been integral to our imagination of the medieval mus...
As one of the first readers of this fine collection of chapters in improvisation studies, I’ve been ...
This is the final version of the article. Available from the publisher via the link in this record.T...
Previously, improvisation has served as a term for describing a quality of the action taking place i...
This paper pursues two main aims. First, it distinguishes two kinds of improvisation: expert and ine...
The theme of improvisation in music is garnering increased attention amongst musicians who otherwise...
Thank you to everybody who made contributions to this bumper 2021 Special Issue on Improvisation. Ma...
Through exchanges within a doctoral supervision, the authors explore a range of dilemmas and challen...
Improvisation is a way of knowing that is experiential, pivotal to the body's movement and growth in...
This thesis was submitted for the degree of Doctor of Philosophy and was awarded by Brunel Universit...
This work is an attempt to analyze some of the conditions and activities that surround improvisation...
This PhD works through practice and theory to investigate the relationship between listening and the...
Contingent Encounters offers a sustained comparative study of improvisation as it appears between mu...
One of the precursors to this PhD project was an awareness that a great deal of writing about music...
An improvised response to questions about the difference between what I do and how I talk about what...
The idea of improvisation, broadly defined, has been integral to our imagination of the medieval mus...
As one of the first readers of this fine collection of chapters in improvisation studies, I’ve been ...
This is the final version of the article. Available from the publisher via the link in this record.T...
Previously, improvisation has served as a term for describing a quality of the action taking place i...
This paper pursues two main aims. First, it distinguishes two kinds of improvisation: expert and ine...
The theme of improvisation in music is garnering increased attention amongst musicians who otherwise...
Thank you to everybody who made contributions to this bumper 2021 Special Issue on Improvisation. Ma...
Through exchanges within a doctoral supervision, the authors explore a range of dilemmas and challen...
Improvisation is a way of knowing that is experiential, pivotal to the body's movement and growth in...
This thesis was submitted for the degree of Doctor of Philosophy and was awarded by Brunel Universit...
This work is an attempt to analyze some of the conditions and activities that surround improvisation...
This PhD works through practice and theory to investigate the relationship between listening and the...
Contingent Encounters offers a sustained comparative study of improvisation as it appears between mu...
One of the precursors to this PhD project was an awareness that a great deal of writing about music...
An improvised response to questions about the difference between what I do and how I talk about what...
The idea of improvisation, broadly defined, has been integral to our imagination of the medieval mus...