Theories about the afterlife have been a constant fixation of humanity throughout history, illustrated through diverse mediums and genres. Literary and philosophical movements reflect and influence the shifts between the worldviews of traditional and modern writers. In comparing Michael Schur’s sitcom The Good Place with Dante Alighieri’s Inferno, this paper demonstrates how the writer’s depictions of torture and punishment reflect their respective positions on philosophical concepts of the human self. Through the lens of the mind-body problem proposed by Rene Descartes, I analyze how the relationship between the mind and body in the afterlife is explored in each depiction. Dante’s Inferno primarily depicts physical torture in accordance wi...
One of the recurrent problems in the Divina Commedia has been the system that underlies Dante's trea...
There is almost no reference to our notions of Hell or Heaven in Tolkien’s works. Nobody knows where...
Dante Alighieri, one of the masters of Italian and world literature, depicted Hell as a platform whe...
Theories about the afterlife have been a constant fixation of humanity throughout history, illustrat...
Dante\u27s Inferno defined hell in Western literature for centuries; it was a physical place for sin...
While different in genre, sitcom The Good Place and drama Lucifer share a certain irreverent tone an...
In this essay, I examine the literary works of Dante’s Inferno and Mark Cain’s Circles in Hell serie...
Aims of the study: To study the images which depict the damned’s sufferings in Dante’s Inferno, in t...
Within the province of Western cultures, and more specifically, among those cultures bearing histori...
This presentation delves into the intricate exploration of the spatial boundaries of Hell in modern ...
abstract: Dante's Divine Comedy has been around for eight centuries, and its imaginative vision of t...
International audienceExperiencing the Afterlife provides the first sustained analysis of popular, v...
"Nel regno oscuro" is the first part of a planned trilogy inspired by the "Divine Comedy", integrati...
Representations of hell used to have an educational purpose, they conveyed edifying messages: be goo...
Session 14: Intelligent EvilIn the third canto of The Inferno, as they stand before the gates of hel...
One of the recurrent problems in the Divina Commedia has been the system that underlies Dante's trea...
There is almost no reference to our notions of Hell or Heaven in Tolkien’s works. Nobody knows where...
Dante Alighieri, one of the masters of Italian and world literature, depicted Hell as a platform whe...
Theories about the afterlife have been a constant fixation of humanity throughout history, illustrat...
Dante\u27s Inferno defined hell in Western literature for centuries; it was a physical place for sin...
While different in genre, sitcom The Good Place and drama Lucifer share a certain irreverent tone an...
In this essay, I examine the literary works of Dante’s Inferno and Mark Cain’s Circles in Hell serie...
Aims of the study: To study the images which depict the damned’s sufferings in Dante’s Inferno, in t...
Within the province of Western cultures, and more specifically, among those cultures bearing histori...
This presentation delves into the intricate exploration of the spatial boundaries of Hell in modern ...
abstract: Dante's Divine Comedy has been around for eight centuries, and its imaginative vision of t...
International audienceExperiencing the Afterlife provides the first sustained analysis of popular, v...
"Nel regno oscuro" is the first part of a planned trilogy inspired by the "Divine Comedy", integrati...
Representations of hell used to have an educational purpose, they conveyed edifying messages: be goo...
Session 14: Intelligent EvilIn the third canto of The Inferno, as they stand before the gates of hel...
One of the recurrent problems in the Divina Commedia has been the system that underlies Dante's trea...
There is almost no reference to our notions of Hell or Heaven in Tolkien’s works. Nobody knows where...
Dante Alighieri, one of the masters of Italian and world literature, depicted Hell as a platform whe...