Add to ORKG“CyberTouch” is an experimental audiovisual performance which combines dance and music with live coding, and a prototyped wearable interactive technology to create audiovisual experiences. It is is the outcome of an interdisciplinary research informed by Cybernetics, a structured improvisation between two individuals a composer and a performer. Our goal is to explore and propose new relationships and strategies in performing practices and interactive audiovisual arts, while expanding the potential of the human body
In June 2017 we presented current and ongoing research at MOCO 17: 4th International conference on m...
textSynaisthe is an intermedia dance performance that premiered in March 2011 at the University Co-o...
Skintimacy is an interface that allows for the collaborative manipulation of electronic-based proces...
This project investigates the design, construction and experimentation in digital environments. The ...
The cyber PRINT is a fully immersive, interactive virtual environment that is being generated in rea...
In this chapter, the author writes about the creative process behind her dance and sound collaborati...
In recent decades, advancements in digital technologies have become a rich source of inspiration for...
The present paper investigates aspects of technologically mediated embodied interaction in dance-dri...
This paper features the creative practice from the long-running collaborative research project, Hack...
The aim of this research undertaking is to understand the potential development of dance performance...
Triggered examines the nature of electronic and digital interfaces for musical expression through th...
This paper introduces our collective work “Patterns in Between Intelligences”, a performance piece t...
We present our work in the development of an interface for an actor/singer and its use in performing...
In a series of essays assembled under the heading ‘Directing Cyber Theatre’, Salihbegovic is offerin...
The CyberWhistle is an integrated approach to a new electronic instrument, with emphasis given to ae...
In June 2017 we presented current and ongoing research at MOCO 17: 4th International conference on m...
textSynaisthe is an intermedia dance performance that premiered in March 2011 at the University Co-o...
Skintimacy is an interface that allows for the collaborative manipulation of electronic-based proces...
This project investigates the design, construction and experimentation in digital environments. The ...
The cyber PRINT is a fully immersive, interactive virtual environment that is being generated in rea...
In this chapter, the author writes about the creative process behind her dance and sound collaborati...
In recent decades, advancements in digital technologies have become a rich source of inspiration for...
The present paper investigates aspects of technologically mediated embodied interaction in dance-dri...
This paper features the creative practice from the long-running collaborative research project, Hack...
The aim of this research undertaking is to understand the potential development of dance performance...
Triggered examines the nature of electronic and digital interfaces for musical expression through th...
This paper introduces our collective work “Patterns in Between Intelligences”, a performance piece t...
We present our work in the development of an interface for an actor/singer and its use in performing...
In a series of essays assembled under the heading ‘Directing Cyber Theatre’, Salihbegovic is offerin...
The CyberWhistle is an integrated approach to a new electronic instrument, with emphasis given to ae...
In June 2017 we presented current and ongoing research at MOCO 17: 4th International conference on m...
textSynaisthe is an intermedia dance performance that premiered in March 2011 at the University Co-o...
Skintimacy is an interface that allows for the collaborative manipulation of electronic-based proces...