This chapter traces the idea of an interdiscipline to Walter Pater’s famous adage ‘All art constantly aspires to the condition of music’. It utilizes Pater’s idea to identify the origin of Victorian musicology not as a discipline, but as an interdiscipline. According to the rules of anderstreben all art aspires to the condition of music because music is the only art that successfully collapses matter and form. In the construction of their interdiscipline Victorian musicologists, like Pater, would adopt ekphrasis as a methodological practice and anderstreben as a theoretical belief. For one thing Victorian musicologists struggled to understand and explain music’s purpose without reference to other disciplines, and in some instances disciplin...
Discipline versus Coddling Summer Progress in Music Study (interview with Ernest Hutcheson) Some Fal...
In this article we discuss various aspects of the discipline of musicology, particularly in Scandina...
Not only German historical musicology, but also the humanities and universities generally, are threa...
This chapter traces the idea of an interdiscipline to Walter Pater’s famous adage ‘All art constantl...
This chapter traces the idea of an interdiscipline to Walter Pater’s famous adage ‘All art constantl...
In this article I show how aesthetic disciplines, to which musicology belongs, have suffered from a ...
This article has been a long time in the making. It began as a comment on the ongoing debate about t...
What would contemporary music scholarship look like if it was no longer imprinted with the discipli...
As the heading suggests, my conference presentation aims to discuss how existing aesthetic disciplin...
Is music academia a homogenising machine? Does it privilege particular kinds of music and exclude ot...
This article discusses how we can better facilitate interdisciplinarity in our Higher Education syst...
The main purpose of this article is to contribute to a discussion about the future of research and r...
In 1851-2 the Trustees of the Reid bequest at the University of Edinburgh undertook an investigation...
Music has long been a degree subject in British universities. Yet its academic form and status chang...
On the face of it, the subject would seem not to need a paper. Musicology was a European discipline ...
Discipline versus Coddling Summer Progress in Music Study (interview with Ernest Hutcheson) Some Fal...
In this article we discuss various aspects of the discipline of musicology, particularly in Scandina...
Not only German historical musicology, but also the humanities and universities generally, are threa...
This chapter traces the idea of an interdiscipline to Walter Pater’s famous adage ‘All art constantl...
This chapter traces the idea of an interdiscipline to Walter Pater’s famous adage ‘All art constantl...
In this article I show how aesthetic disciplines, to which musicology belongs, have suffered from a ...
This article has been a long time in the making. It began as a comment on the ongoing debate about t...
What would contemporary music scholarship look like if it was no longer imprinted with the discipli...
As the heading suggests, my conference presentation aims to discuss how existing aesthetic disciplin...
Is music academia a homogenising machine? Does it privilege particular kinds of music and exclude ot...
This article discusses how we can better facilitate interdisciplinarity in our Higher Education syst...
The main purpose of this article is to contribute to a discussion about the future of research and r...
In 1851-2 the Trustees of the Reid bequest at the University of Edinburgh undertook an investigation...
Music has long been a degree subject in British universities. Yet its academic form and status chang...
On the face of it, the subject would seem not to need a paper. Musicology was a European discipline ...
Discipline versus Coddling Summer Progress in Music Study (interview with Ernest Hutcheson) Some Fal...
In this article we discuss various aspects of the discipline of musicology, particularly in Scandina...
Not only German historical musicology, but also the humanities and universities generally, are threa...