The various sculpted busts of Ottavio Farnese (1524–86), duke of Parma and Piacenza, are still at the center of debates of attribution. Focusing on the bust in Carrara marble in the collection of the J. Paul Getty Museum in Los Angeles, the author proposes a new attribution to Lombard-born sculptor Giovanni Battista della Porta (1542–97), one of the protagonists of the Roman artistic scene in the second half of the sixteenth century. While archival sources attest to Della Porta’s ambition to work in the service of the duke and to Farnese’s awareness of the sculptor’s artistic achievements, the attribution is largely based on comparisons with Della Porta’s works. Finally, the author discusses hypotheses related to the dating of the bust, the...
The article focuses primarily on the panel representing 'Luca Pacioli and Guidubaldo da Montefeltro'...
Placing Sebastiano del Piombo’s Polyphemus side by side with Raphael’s Galatea in the Villa Farnesin...
The 28 portraits of the Uomini Illustri (Famous Men) were ordered by Federico da Montefeltro to deco...
Among the many marble portrait busts executed by the Ferrarese sculptor Alfonso Lombardi (c. 1497 - ...
Self portrait of Alessandro della Scala da Carona, a sculptor in Northern Italy in the first half of...
The National Archeological Museum in Venice preserves numerous Roman sculpture portraits that may be...
The focus of this article is a re-discovered marble bust in the Palazzo dei Priori in Perugia which ...
The handwriting of the caption “in la vale” appearing on a drawing in the Musée de Grenoble, identic...
Between the 1960s and 1990s art historian Giovanni Previtali identified a group of polychrome wood t...
Questo libro percorre la storia della famiglia Farnese, dagli inizi nel Medioevo feudale alla formaz...
A portrait of Emperor Vespasian on a modern bust, previoulsy unpublished, has been identified in the...
Cardinal Odoardo Farnese's importance as the man who brought the Carracci to Rome has never been dis...
In Reggio Emilia, the sculptor Prospero Spani, also known as Clemente (1516-1584), created two statu...
This article uses the portrait date, the costume in the title, and the original seals found on the b...
www.jstor.org® B Y COMPARI S O N with the immense fame enjoyed by the painters, culptors, and archit...
The article focuses primarily on the panel representing 'Luca Pacioli and Guidubaldo da Montefeltro'...
Placing Sebastiano del Piombo’s Polyphemus side by side with Raphael’s Galatea in the Villa Farnesin...
The 28 portraits of the Uomini Illustri (Famous Men) were ordered by Federico da Montefeltro to deco...
Among the many marble portrait busts executed by the Ferrarese sculptor Alfonso Lombardi (c. 1497 - ...
Self portrait of Alessandro della Scala da Carona, a sculptor in Northern Italy in the first half of...
The National Archeological Museum in Venice preserves numerous Roman sculpture portraits that may be...
The focus of this article is a re-discovered marble bust in the Palazzo dei Priori in Perugia which ...
The handwriting of the caption “in la vale” appearing on a drawing in the Musée de Grenoble, identic...
Between the 1960s and 1990s art historian Giovanni Previtali identified a group of polychrome wood t...
Questo libro percorre la storia della famiglia Farnese, dagli inizi nel Medioevo feudale alla formaz...
A portrait of Emperor Vespasian on a modern bust, previoulsy unpublished, has been identified in the...
Cardinal Odoardo Farnese's importance as the man who brought the Carracci to Rome has never been dis...
In Reggio Emilia, the sculptor Prospero Spani, also known as Clemente (1516-1584), created two statu...
This article uses the portrait date, the costume in the title, and the original seals found on the b...
www.jstor.org® B Y COMPARI S O N with the immense fame enjoyed by the painters, culptors, and archit...
The article focuses primarily on the panel representing 'Luca Pacioli and Guidubaldo da Montefeltro'...
Placing Sebastiano del Piombo’s Polyphemus side by side with Raphael’s Galatea in the Villa Farnesin...
The 28 portraits of the Uomini Illustri (Famous Men) were ordered by Federico da Montefeltro to deco...