The portrait of the Sharp family by Zoffany raises several questions about the visual representation of sound. The elaborate composition focuses on a keyboard instrument that is difficult to identify, though it is probably a harpsichord to which a process of foreshortening has been applied. Such a design suggests that the painting highlights the social function of music rather than accurate depiction of musical practice. Similarly, it is almost impossible to find a repertoire for the orchestra represented here. Like many conversation pieces, the painting actually makes a statement about an affluent family that could afford to entertain aristocratic audiences with semi-public water parties performed on expensive musical instruments.Deconinck...
Edward Speyer may be considered as the first musicologist to have methodically studied the Mozartian...
This dissertation examines the aesthetic elements of the keyboard music from the late seventeenth an...
La musette, petite cornemuse savante utilisée dans la musique de la cour de France, entre la Renaiss...
The portrait of the Sharp family by Zoffany raises several questions about the visual representation...
International audienceUnlike what was observed during the previous century (see Musique-Images-Instr...
International audienceIconographic documentation on harpsichords in 17th century France shows that, ...
Widespread suspicion of the tableau\u27s visual hold over the spectator prevented it from coming int...
International audienceThe soundboards of seventeenth-century Flemish and French harpsichords, spinet...
International audienceNo portrait of Antoine Forqueray (1672-1745) has yet been identified with cert...
This article is a detailed study of three paintings by Johan Zoffany (1733-1810). Their subject is t...
International audienceLe métier de faiseur d'instruments apparaît à la fin du Moyen Age et se distin...
Taking character pieces and operatic symphonies as its focus, this dissertation proposes that visual...
Frantz Liszt (1811-1886) est un pianiste et compositeur autrichien. En 1823, il s'installe à Paris, ...
Dans l’œuvre de Paul Klee, la musique, de manière figurative ou non, est très présente. Il s’agit do...
Dante Gabriel Rossetti (1828-82) was an accomplished English painter, poet, designer and translator....
Edward Speyer may be considered as the first musicologist to have methodically studied the Mozartian...
This dissertation examines the aesthetic elements of the keyboard music from the late seventeenth an...
La musette, petite cornemuse savante utilisée dans la musique de la cour de France, entre la Renaiss...
The portrait of the Sharp family by Zoffany raises several questions about the visual representation...
International audienceUnlike what was observed during the previous century (see Musique-Images-Instr...
International audienceIconographic documentation on harpsichords in 17th century France shows that, ...
Widespread suspicion of the tableau\u27s visual hold over the spectator prevented it from coming int...
International audienceThe soundboards of seventeenth-century Flemish and French harpsichords, spinet...
International audienceNo portrait of Antoine Forqueray (1672-1745) has yet been identified with cert...
This article is a detailed study of three paintings by Johan Zoffany (1733-1810). Their subject is t...
International audienceLe métier de faiseur d'instruments apparaît à la fin du Moyen Age et se distin...
Taking character pieces and operatic symphonies as its focus, this dissertation proposes that visual...
Frantz Liszt (1811-1886) est un pianiste et compositeur autrichien. En 1823, il s'installe à Paris, ...
Dans l’œuvre de Paul Klee, la musique, de manière figurative ou non, est très présente. Il s’agit do...
Dante Gabriel Rossetti (1828-82) was an accomplished English painter, poet, designer and translator....
Edward Speyer may be considered as the first musicologist to have methodically studied the Mozartian...
This dissertation examines the aesthetic elements of the keyboard music from the late seventeenth an...
La musette, petite cornemuse savante utilisée dans la musique de la cour de France, entre la Renaiss...