Add to ORKGOgée Frédéric. Iain Pears, The Discovery of Painting. The Growth of Interest in the Arts in England, 1680-1768. In: XVII-XVIII. Bulletin de la société d'études anglo-américaines des XVIIe et XVIIIe siècles. N°29, 1989. pp. 201-204
Mode of access: Internet.BEIR Jdb11 P642 708Gd : No. 1 of 2 titles bound together. Armorial bookpla...
2 The eighteenth century saw the emergence of Britain as a pre-eminent imperial, mercantile and mari...
Baridon Michel. Morris R. Brownell, Alexander Pope and the Arts in Georgian England. In: XVII-XVIII....
SIGLEAvailable from British Library Lending Division - LD:D56962/85 / BLDSC - British Library Docume...
SOLKIN David H., Art in Britain 1660–1815, Londres, Paul Mellon Centre for Studies in British Art, d...
Baudino Isabelle. Holger Hoock, The King's Artists. The Royal Academy of Arts and the Politics of Br...
In the decades following the Glorious Revolution, painting and the arts in general did not seem read...
The reception of French pictures, artists and art literature in Britain during the early eighteenth ...
English writers and enthusiasts on the arts that existed prior to the eighteenth-century have largel...
This thesis aims to describe the construction of an artistic canon through the publishing of paintin...
Frédéric Ogée : Je-sais-quoi. The representation of forms of life in the works of William Hogarth. ...
The specificity of the London academic movement is that it took shape with the creation of private a...
Dobai Johannes, Paknadel Félix. Johannes Dobai, Die Kunstliteratur des Klassizimus und der Romantik ...
Blondel Madeleine. Hanns and Boase Hammelmann, T. S. R. Book Illustrators in Eighteenth Century Engl...
In the history of Europe, the eighteenth century is often considered as the period of British suprem...
Mode of access: Internet.BEIR Jdb11 P642 708Gd : No. 1 of 2 titles bound together. Armorial bookpla...
2 The eighteenth century saw the emergence of Britain as a pre-eminent imperial, mercantile and mari...
Baridon Michel. Morris R. Brownell, Alexander Pope and the Arts in Georgian England. In: XVII-XVIII....
SIGLEAvailable from British Library Lending Division - LD:D56962/85 / BLDSC - British Library Docume...
SOLKIN David H., Art in Britain 1660–1815, Londres, Paul Mellon Centre for Studies in British Art, d...
Baudino Isabelle. Holger Hoock, The King's Artists. The Royal Academy of Arts and the Politics of Br...
In the decades following the Glorious Revolution, painting and the arts in general did not seem read...
The reception of French pictures, artists and art literature in Britain during the early eighteenth ...
English writers and enthusiasts on the arts that existed prior to the eighteenth-century have largel...
This thesis aims to describe the construction of an artistic canon through the publishing of paintin...
Frédéric Ogée : Je-sais-quoi. The representation of forms of life in the works of William Hogarth. ...
The specificity of the London academic movement is that it took shape with the creation of private a...
Dobai Johannes, Paknadel Félix. Johannes Dobai, Die Kunstliteratur des Klassizimus und der Romantik ...
Blondel Madeleine. Hanns and Boase Hammelmann, T. S. R. Book Illustrators in Eighteenth Century Engl...
In the history of Europe, the eighteenth century is often considered as the period of British suprem...
Mode of access: Internet.BEIR Jdb11 P642 708Gd : No. 1 of 2 titles bound together. Armorial bookpla...
2 The eighteenth century saw the emergence of Britain as a pre-eminent imperial, mercantile and mari...
Baridon Michel. Morris R. Brownell, Alexander Pope and the Arts in Georgian England. In: XVII-XVIII....
