In the last decades we have seen an increased interest in the acoustics of ancient Greek and Roman theatres and much research has been performed on many of them. Research has mainly focused on modelling the acoustics of theatres and has shown various acoustical effects. However, only a limited number of in situ measurements have been available to validate the results. In this paper, results are presented of large-scale measurements which were performed in the Odeon of Herodes Atticus and the theatres of Epidaurus and Argos. The accuracy of these measurements is discussed in part one of this series of papers. Impulse response measurements have been conducted at respectively 200, 264 and 60 listener positions for 5 equal-angular dodecahedron ...
Ancient theatres are used in modern contexts for different types of shows. When ancient theatres are...
The interplay of architecture and acoustics is remarkable in ancient Greek and Roman theatres. These...
The data set represents the measured impulse response in the ancient Theatre of Tyndaris performed ...
In the last decades we have seen an increased interest in the acoustics of ancient Greek and Roman t...
Selecting an appropriate method for measuring ‘normal’ indoor concert hall acoustics is always a tra...
The stages of ancient theatres can be characterized by their circular shape called the ‘orchestra’, ...
The emerging field of archaeoacoustics is attracting increasing research attention from scholars of ...
Present conditions of Roman and Greek ancient theatres of the Mediterranean basin are critic from th...
This paper deals with the acoustics of ancient Greek and Roman theatres as it merges from an extensi...
Acoustic models of ancient theatres found in literature are often based on assumptions, both for geo...
Ancient theaters are one of the most representative signs of civilization belonging to Greek culture...
Although the remarkable acoustical apparatus of Greek and Roman theatres is generally recognized, it...
The subject of this research is the acoustic properties of ancient theatres, focusing on their cont...
Nowadays, ancient open-air theatres are often re-adapted as performance spaces for the additional h...
The theatres of Antiquity, Greek and Roman, constitute public buildings of the utmost importance int...
Ancient theatres are used in modern contexts for different types of shows. When ancient theatres are...
The interplay of architecture and acoustics is remarkable in ancient Greek and Roman theatres. These...
The data set represents the measured impulse response in the ancient Theatre of Tyndaris performed ...
In the last decades we have seen an increased interest in the acoustics of ancient Greek and Roman t...
Selecting an appropriate method for measuring ‘normal’ indoor concert hall acoustics is always a tra...
The stages of ancient theatres can be characterized by their circular shape called the ‘orchestra’, ...
The emerging field of archaeoacoustics is attracting increasing research attention from scholars of ...
Present conditions of Roman and Greek ancient theatres of the Mediterranean basin are critic from th...
This paper deals with the acoustics of ancient Greek and Roman theatres as it merges from an extensi...
Acoustic models of ancient theatres found in literature are often based on assumptions, both for geo...
Ancient theaters are one of the most representative signs of civilization belonging to Greek culture...
Although the remarkable acoustical apparatus of Greek and Roman theatres is generally recognized, it...
The subject of this research is the acoustic properties of ancient theatres, focusing on their cont...
Nowadays, ancient open-air theatres are often re-adapted as performance spaces for the additional h...
The theatres of Antiquity, Greek and Roman, constitute public buildings of the utmost importance int...
Ancient theatres are used in modern contexts for different types of shows. When ancient theatres are...
The interplay of architecture and acoustics is remarkable in ancient Greek and Roman theatres. These...
The data set represents the measured impulse response in the ancient Theatre of Tyndaris performed ...