The relation between speech production and perception parameters is investigated for synthetic stationary vowels. A perceptual distance measure, based on the distance between excitation patterns, is used to quantify and model the perceptual relevance of variations to glottal-pulse parameters. The parameters that are studied are the R parameters of the well-known Liljencrants–Fant (LF) model. An approximation of the perceptual distance measure was used to quantify the perceptual effects of the R parameters. The data used in this paper consist of 33 R-parameter vectors which all have been measured from real voices and have been taken from the literature. The 33 points in the R-parameter space are found to lie near a trajectory when ordered as...
This study estimates glottal waves and vocal-tract area functions (VTAFs) from vowel sounds. Tradit...
The present article investigates into the use of the LF glottal pulse model for singing synthesis an...
Both in speech synthesis and in sound coding it is often beneficial to have a measure that predicts ...
The relation between speech production and perception parameters is investigated for synthetic stati...
The relation between speech production and perception parameters is investigated for synthetic stati...
This paper describes a method for analysing the perceptual relevance of parameter variations of the ...
International audienceSpeech glottal flow has been predominantly described in the time-domain in pas...
In voice analysis, the parameters estimation of a glottal model, an analytic description of the dete...
The representation of the glottal source is of paramount impor-tance for describing para-linguistic ...
In speech recognition algorithms and certain theories of speech perception the interpretation of the...
International audienceThe acoustic properties of a recently proposed two-mass model for vocal-fold o...
Models of the voice source differ in their fits to natural voices, but it is unclear which differenc...
In the source-filter model of speech production it is assumed that the acoustic source mechanism is ...
The glottal shape parameter Rd provides a one-dimensional parameterisation of the Liljencrants-Fant ...
This paper explores whether a speaker's voice quality, defined as the perceived timbre of his o...
This study estimates glottal waves and vocal-tract area functions (VTAFs) from vowel sounds. Tradit...
The present article investigates into the use of the LF glottal pulse model for singing synthesis an...
Both in speech synthesis and in sound coding it is often beneficial to have a measure that predicts ...
The relation between speech production and perception parameters is investigated for synthetic stati...
The relation between speech production and perception parameters is investigated for synthetic stati...
This paper describes a method for analysing the perceptual relevance of parameter variations of the ...
International audienceSpeech glottal flow has been predominantly described in the time-domain in pas...
In voice analysis, the parameters estimation of a glottal model, an analytic description of the dete...
The representation of the glottal source is of paramount impor-tance for describing para-linguistic ...
In speech recognition algorithms and certain theories of speech perception the interpretation of the...
International audienceThe acoustic properties of a recently proposed two-mass model for vocal-fold o...
Models of the voice source differ in their fits to natural voices, but it is unclear which differenc...
In the source-filter model of speech production it is assumed that the acoustic source mechanism is ...
The glottal shape parameter Rd provides a one-dimensional parameterisation of the Liljencrants-Fant ...
This paper explores whether a speaker's voice quality, defined as the perceived timbre of his o...
This study estimates glottal waves and vocal-tract area functions (VTAFs) from vowel sounds. Tradit...
The present article investigates into the use of the LF glottal pulse model for singing synthesis an...
Both in speech synthesis and in sound coding it is often beneficial to have a measure that predicts ...