The extant scribal record of the music of the 'ars subtilior' is considered in terms of the reception of this musical style within particular cultural contexts. The first part of this study re-examines the two principal sources (F-CH 564 and I-MOe5.24) of a partially shared ars subtilior repertoire and concludes that, despite the presence in part of a repertoire ostensibly composed north of the Alps ('c'. 1380-1395), these manuscripts were compiled in or close to major centres on the Italian peninsula (Florence and Pisa/Bologna/Florence respectively). These conclusions form the background to the second part of this study that identifies cultural tendencies/influences in the notation of musical rhythm in the 'ars subtilior' repertoire. Notat...
2018-12-03This dissertation examines the relationship between Italian keyboard tablature (IKT) and t...
Antiphonary of abbot Mścisław (Pl-Wn 12720 V) dating from before 1409 year and being one of the olde...
Although considerable attention has been paid to the texting practices of specific composers and cer...
The context and culture of scribal and notational process in the music of the ars subtilior. b
The notation of 15th-century music often features curious inscriptions that prescribe transformation...
The musical notation of the northern Italian Benedictine abbey of St Sylvester in Nonantola has hith...
Italian manuscripts of polyphony copied before 1450 primarily contain texted pieces, while those cop...
Adémar de Chabannes (989-1034), monk at the abbey of Saint Cybard in Angoulême, historian, homilist,...
New things are often viewed as being better and more advanced than older counterparts; however, new ...
The present paper concerns the manuscripts that have diastematic notation. Manuscripts with this no...
Musical notation presented unusual challenges to the new craft of printing in the fifteenth century....
In a new introduction to his article “The Early History of Music Writing in the West,” first publish...
grantor: University of TorontoAfter more than one hundred years of scholarship on the musi...
Despite the scholarly attention that has rightly been paid to Universitat de València, Biblioteca Hi...
The three sets of partbooks, Regensburg, Bischöfliche Zentralbibliothek, B 211-215, B 216-219, and B...
2018-12-03This dissertation examines the relationship between Italian keyboard tablature (IKT) and t...
Antiphonary of abbot Mścisław (Pl-Wn 12720 V) dating from before 1409 year and being one of the olde...
Although considerable attention has been paid to the texting practices of specific composers and cer...
The context and culture of scribal and notational process in the music of the ars subtilior. b
The notation of 15th-century music often features curious inscriptions that prescribe transformation...
The musical notation of the northern Italian Benedictine abbey of St Sylvester in Nonantola has hith...
Italian manuscripts of polyphony copied before 1450 primarily contain texted pieces, while those cop...
Adémar de Chabannes (989-1034), monk at the abbey of Saint Cybard in Angoulême, historian, homilist,...
New things are often viewed as being better and more advanced than older counterparts; however, new ...
The present paper concerns the manuscripts that have diastematic notation. Manuscripts with this no...
Musical notation presented unusual challenges to the new craft of printing in the fifteenth century....
In a new introduction to his article “The Early History of Music Writing in the West,” first publish...
grantor: University of TorontoAfter more than one hundred years of scholarship on the musi...
Despite the scholarly attention that has rightly been paid to Universitat de València, Biblioteca Hi...
The three sets of partbooks, Regensburg, Bischöfliche Zentralbibliothek, B 211-215, B 216-219, and B...
2018-12-03This dissertation examines the relationship between Italian keyboard tablature (IKT) and t...
Antiphonary of abbot Mścisław (Pl-Wn 12720 V) dating from before 1409 year and being one of the olde...
Although considerable attention has been paid to the texting practices of specific composers and cer...