Since the seminal work of Heider and Simmel, and Michotte’s research, many studies have shown that, under appropriate conditions, displays of simple geometric shapes elicit rich and vivid impressions of animacy and intentionality. The main purpose of this review is to emphasize the close relationship between kinematics and perceived animacy by showing which specific motion cues and spatiotemporal patterns automatically trigger visual perceptions of animacy and intentionality. The animacy phenomenon has been demonstrated to be rather fast, automatic, irresistible, and highly stimulus-driven. Moreover, there is growing evidence that animacy attributions, although usually associated with higher- level cognition and long-term memory, may reflec...
The human visual system can discriminate between animate beings vs. inanimate objects on the basis o...
The distinction between animate and inanimate objects plays an important role in object recognition....
Identifying animated subjects is fundamental to survive. Several perceptual cues allow human and non...
Among a variety of entities in their environment, what do humans consider alive or animate and how d...
Distinguishing animate from inanimate things is of great behavioural importance. Despite distinct br...
Identifying moving things in the environment is a priority for animals as these could be prey, preda...
One of the primary distinctions we make in understanding the world is between social and non-social ...
Previous research on animate motion perception indicates that animacy detection may be an evolutiona...
The tendency for humans to give preferential attention to animate agents in their immediate surround...
Distinguishing animate from inanimate objects is fundamental for social perception in humans and ani...
Humans attribute animacy even to very simple objects displaying self-propelled or goal-directed moti...
Although robots are becoming an ever-growing presence in society, we do not hold the same expectatio...
Typically, the actions of agents in classical animacy displays are synthetically created, thus for...
The influences of verbally-referenced motion cues on perceptions of animacy were examined using the ...
It is widely reported that the perception of animacy can occur from simple displays of moving shapes...
The human visual system can discriminate between animate beings vs. inanimate objects on the basis o...
The distinction between animate and inanimate objects plays an important role in object recognition....
Identifying animated subjects is fundamental to survive. Several perceptual cues allow human and non...
Among a variety of entities in their environment, what do humans consider alive or animate and how d...
Distinguishing animate from inanimate things is of great behavioural importance. Despite distinct br...
Identifying moving things in the environment is a priority for animals as these could be prey, preda...
One of the primary distinctions we make in understanding the world is between social and non-social ...
Previous research on animate motion perception indicates that animacy detection may be an evolutiona...
The tendency for humans to give preferential attention to animate agents in their immediate surround...
Distinguishing animate from inanimate objects is fundamental for social perception in humans and ani...
Humans attribute animacy even to very simple objects displaying self-propelled or goal-directed moti...
Although robots are becoming an ever-growing presence in society, we do not hold the same expectatio...
Typically, the actions of agents in classical animacy displays are synthetically created, thus for...
The influences of verbally-referenced motion cues on perceptions of animacy were examined using the ...
It is widely reported that the perception of animacy can occur from simple displays of moving shapes...
The human visual system can discriminate between animate beings vs. inanimate objects on the basis o...
The distinction between animate and inanimate objects plays an important role in object recognition....
Identifying animated subjects is fundamental to survive. Several perceptual cues allow human and non...