The author sets off the specificity and the application of Archaeological drawing compared with other methods. Moreover he distinguishes the kind of realism the best adapted to publication. Some technical and fundamental datas are given with these principles while trying to replace problems as closely as possible to the concrete reality.L'auteur examine la spécificité et les applications du dessin archéologique comparé à d'autres méthodes, en distinguant le type de réalisme le mieux adapté à la publication. Quelques données techniques fondamentales accompagnent ces principes en essayant de situer les problèmes dans un ensemble aussi proche que possible de la réalité concrète.Laurent Pierre. Dessin et archéologie / Drawing and archaeology. I...
The Art of the Middle Ages Between Science and Technology The relationship between the arts, scienc...
The bulk of archaeological notes taken in the field are handwritten, with pencil-sketched maps and d...
Texte remanié d'une thèse de doctorat en Histoire de l'Art, Paris 10, 2011International audience[Rés...
The drawing of archaeological objects is just as important as a written description and like-wise mu...
As early back as the Renaissance and the interest of the Antiquarians for ancient artefacts, drawing...
Jean Prodhomme, a technician in the Archaeology Department of the French Ministry of Culture, is a s...
Observational skills provide the foundation for many archaeological techniques. In particular, drawi...
At the dawn of the 19th century the study of antique monuments, i. e. archaeology, is mostly conduct...
This guide is born from the often-voiced desire for standardising the style of images used in archae...
[EN] Archaeology is the science of studying the arts, monuments and ancient objects through their r...
This article summerizes two years of research work, in the context of an M.S.T. memoir in archeology...
Réfléchir aux fondements du dessin – lieu d’inspiration pour l’artiste, « activateur de pensée », pr...
The application of the technologies of image treatement to plot the paleolithic engravings. After re...
Cette thèse examine un développement singulier dans l'histoire des arts occidentaux, qui s'est obser...
ARTEFACT is a biannual French language academic journal that aims to promote research into the techn...
The Art of the Middle Ages Between Science and Technology The relationship between the arts, scienc...
The bulk of archaeological notes taken in the field are handwritten, with pencil-sketched maps and d...
Texte remanié d'une thèse de doctorat en Histoire de l'Art, Paris 10, 2011International audience[Rés...
The drawing of archaeological objects is just as important as a written description and like-wise mu...
As early back as the Renaissance and the interest of the Antiquarians for ancient artefacts, drawing...
Jean Prodhomme, a technician in the Archaeology Department of the French Ministry of Culture, is a s...
Observational skills provide the foundation for many archaeological techniques. In particular, drawi...
At the dawn of the 19th century the study of antique monuments, i. e. archaeology, is mostly conduct...
This guide is born from the often-voiced desire for standardising the style of images used in archae...
[EN] Archaeology is the science of studying the arts, monuments and ancient objects through their r...
This article summerizes two years of research work, in the context of an M.S.T. memoir in archeology...
Réfléchir aux fondements du dessin – lieu d’inspiration pour l’artiste, « activateur de pensée », pr...
The application of the technologies of image treatement to plot the paleolithic engravings. After re...
Cette thèse examine un développement singulier dans l'histoire des arts occidentaux, qui s'est obser...
ARTEFACT is a biannual French language academic journal that aims to promote research into the techn...
The Art of the Middle Ages Between Science and Technology The relationship between the arts, scienc...
The bulk of archaeological notes taken in the field are handwritten, with pencil-sketched maps and d...
Texte remanié d'une thèse de doctorat en Histoire de l'Art, Paris 10, 2011International audience[Rés...