In her bachelor's thesis, the author will focus on working with the photographs of her family archive, which she uses in her artistic practice. This archive depicts the author's past. In her work, the author will subjectively reflect on the possibilities of perceiving pictorial memories as two separate, ephemeral realities for which we cannot confirm or deny their reality. At the same time, she wants to avoid the possible patheticness that working with archives tends to lead to, which is why she will use more media than just a single photograph. The artistic space he will create should serve for subjective contemplation of the pictorial medium whose affinity between reality and a certain interiority denies the exclusivity of only one realit...