Without a trace

Without a trace explores the possibilities of working with the so-called memory of landscape, which I understand as a certain open, ongoing and changing composition of narratives, motifs, people and objects of different origins and different natures. These components and sources of memory all relate to the period of World War II and in particular to the theme of anti-fascist partisan resistance. The resulting intermedia work was preceded by field research, during which I gathered a wealth of material on the subject that led me to create a kind of alternative cartography. The map and the educational trail through the landscape of Vysočina, supported by text in the form of an audioguide, are the formats of the resulting work and an attempt to break away from the great simplistic narratives of war, partisans and resistance. They focus on the small stories of the actors of the resistance, not only Czech and Soviet partisans and refugees, but also local residents. The resulting format guides the user through the physical landscape and connects it to different interpretations of its history. My own version of the landscape memory is admittedly also influenced by my personal experiences from my childhood in Vysočina