This essay argues that in order to challenge male hegemony and patriarchal values, Angela Carter deconstructs our current understandings of gender and re-articulates and re-conceptualizes gender as a third term that isn’t reproduced by prevailing social norms, gender discourses and existing fields of power relations. Carter conceives gender as a term that is non-essentialist, androgynous, performative, pluralistic and resistant to fixities. Through a close examination The Passion of New Eve and Nights at the Circus, this essay aims to demonstrate how Carter repudiates prevailing conceptions of gender in both novel to forge an alternative gender apparatus through which we can understand the relations between men and women.Bachelor of Art
Angela Carter described herself as being in the “demythologisingbusiness” (“Notes&...
In the last decades, intertextuality has been used to question issues of gender identity and desire,...
Angela Carter described herself as being in the “demythologising business” (“Notes,” 38), and in her...
This paper argues for the significance of Carter’s novel as a critique of violence as feminist strat...
This essay explores the postmodern science fiction novel The Passion of New Eve (1977), by contempor...
Angela Olive (Stalker) Carter (1940-1992) positions herself as a writer in the "demythologizing busi...
This paper will focus on Judith Butler's work on gender and performativity. It will use Butler's exa...
This thesis attempts to account for the unusual problems raised for interpretation by the works of A...
This thesis analyses The Left Hand of Darkness by Ursula K. Le Guin and The Passion of New Eve by An...
The feminist postmodern writers have always attempted to depict the struggles of underrepresented ca...
Postmodernism posed a crucial ontological challenge to reality, questioning what constitutes the rea...
[[abstract]]Focusing on the corporeal and social interconnectedness between women and animals, this ...
When attempting to convey certain political or ideological agendas in literary texts maintaining spe...
Nights at the Circus (1984) by Angela Carter is widely recognized as a masterpiece of magical realis...
This essay suggests that embracing the physicality of the female body and its appetites is a premise...
Angela Carter described herself as being in the “demythologisingbusiness” (“Notes&...
In the last decades, intertextuality has been used to question issues of gender identity and desire,...
Angela Carter described herself as being in the “demythologising business” (“Notes,” 38), and in her...
This paper argues for the significance of Carter’s novel as a critique of violence as feminist strat...
This essay explores the postmodern science fiction novel The Passion of New Eve (1977), by contempor...
Angela Olive (Stalker) Carter (1940-1992) positions herself as a writer in the "demythologizing busi...
This paper will focus on Judith Butler's work on gender and performativity. It will use Butler's exa...
This thesis attempts to account for the unusual problems raised for interpretation by the works of A...
This thesis analyses The Left Hand of Darkness by Ursula K. Le Guin and The Passion of New Eve by An...
The feminist postmodern writers have always attempted to depict the struggles of underrepresented ca...
Postmodernism posed a crucial ontological challenge to reality, questioning what constitutes the rea...
[[abstract]]Focusing on the corporeal and social interconnectedness between women and animals, this ...
When attempting to convey certain political or ideological agendas in literary texts maintaining spe...
Nights at the Circus (1984) by Angela Carter is widely recognized as a masterpiece of magical realis...
This essay suggests that embracing the physicality of the female body and its appetites is a premise...
Angela Carter described herself as being in the “demythologisingbusiness” (“Notes&...
In the last decades, intertextuality has been used to question issues of gender identity and desire,...
Angela Carter described herself as being in the “demythologising business” (“Notes,” 38), and in her...