My thesis begins from the observation that Mozart wrote only two of his 27 piano concertos in the minor key. This very small output of minor key piano concertos seems unusual, unless it is simply the result of the popular use of the major key in compositions written in the 18th century. Still however, the fact that Mozart wrote these concertos in the minor key suggests that there might be some special significance associated with the choice of key.Master of Art
On MOZART MATURES: 1780s Piano Works, pianist Roberta Rust perceptively explores Mozart’s personal a...
Ladinig and Huron’s (2010) investigation of the relationship between mode (major-minor) and dynamics...
166 p.Thesis (D.M.A.)--University of Illinois at Urbana-Champaign, 1995.This thesis investigates the...
Theories of tonal music take for granted that all keys of the same mode (i.e., all major and all min...
In this work I tried to analyse Mozart´s piano concerto in d minor on the basis of the knowledge I a...
It is obvious that the Mozart Eb Major Concertos for Piano, K. 271 and K. 482, bear certain resembla...
The critical literature on composers and their work is often distinguished by as much unsupported s...
This thesis is an analytical study of various cadenzas written for the first movement of Mozart’s Pi...
The minor key poses obstacles to rising cadence gestures, and the number of compositions with convin...
Despite Schroeter’s prominent influence on the development of piano technique and concerto genre, ve...
Extensive research by internationally renowned pianist David Owen Norris about a peculiar, tiny squa...
The Piano Concerto represents an experiment in form in which a set of five continuous variations ar...
Both of the Chopin concertos are the earliest of his works to be found in the ordinary piano reperto...
This study reveals Mozart's developmental process in building the concerto structure through a compa...
Structural designs that grew around the basic framework of the eighteenth century flute concerto ge...
On MOZART MATURES: 1780s Piano Works, pianist Roberta Rust perceptively explores Mozart’s personal a...
Ladinig and Huron’s (2010) investigation of the relationship between mode (major-minor) and dynamics...
166 p.Thesis (D.M.A.)--University of Illinois at Urbana-Champaign, 1995.This thesis investigates the...
Theories of tonal music take for granted that all keys of the same mode (i.e., all major and all min...
In this work I tried to analyse Mozart´s piano concerto in d minor on the basis of the knowledge I a...
It is obvious that the Mozart Eb Major Concertos for Piano, K. 271 and K. 482, bear certain resembla...
The critical literature on composers and their work is often distinguished by as much unsupported s...
This thesis is an analytical study of various cadenzas written for the first movement of Mozart’s Pi...
The minor key poses obstacles to rising cadence gestures, and the number of compositions with convin...
Despite Schroeter’s prominent influence on the development of piano technique and concerto genre, ve...
Extensive research by internationally renowned pianist David Owen Norris about a peculiar, tiny squa...
The Piano Concerto represents an experiment in form in which a set of five continuous variations ar...
Both of the Chopin concertos are the earliest of his works to be found in the ordinary piano reperto...
This study reveals Mozart's developmental process in building the concerto structure through a compa...
Structural designs that grew around the basic framework of the eighteenth century flute concerto ge...
On MOZART MATURES: 1780s Piano Works, pianist Roberta Rust perceptively explores Mozart’s personal a...
Ladinig and Huron’s (2010) investigation of the relationship between mode (major-minor) and dynamics...
166 p.Thesis (D.M.A.)--University of Illinois at Urbana-Champaign, 1995.This thesis investigates the...