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CopyleftCompany
This paper looks into how music composers’ rights to their work are dependent on the nature of a work as well as its origin and underlying philosophy. Some differences and overlaps between French Droit d’auteur, Anglo-Saxon Copyright and the Copyleft movement will be explored. I will briefly touch on examples from my own compositional practice.Accepted versio
Defence date: 12 December 2011Examining Board: Professor Giovanni Sartor, European University Instit...
Although the availability and suitability of copyright protection for computer software has been muc...
Copyright lies at the very heart of the music business. Copyright law determines the social framewor...
The Burden of History The origins of music copyright law are rooted in a particular, restrictive not...
There is a lack of interest and empirical analysis in the existing literature on composers’ relation...
In this work, the copyright protection in the music industry is discussed. I am focusing in particul...
Digital technology has greatly increased access to music, both recordings and scores, protected by c...
13 p. ; An outstanding student paper selected as a Honors Paper.Copyright law governing digital musi...
For over 150 years, federal copyright law in the United States reflected and reinforced the model of...
In the digital environment, copyright law has become trapped in an assessment of what has been taken...
Copyright has been struggling to keep up with the fast-paced technological advancements and the deve...
Digital technologies are often said (1) to enable a qualitatively new engagement with already exist...
This paper seeks to explore how the implementation of open access licences onto recordings and other...
The purpose of this paper is to describe, explain, and assess the most significant legislative chang...
The borrowing and rearrangement of musical content, especially in the digital context, raises diffic...
Defence date: 12 December 2011Examining Board: Professor Giovanni Sartor, European University Instit...
Although the availability and suitability of copyright protection for computer software has been muc...
Copyright lies at the very heart of the music business. Copyright law determines the social framewor...
The Burden of History The origins of music copyright law are rooted in a particular, restrictive not...
There is a lack of interest and empirical analysis in the existing literature on composers’ relation...
In this work, the copyright protection in the music industry is discussed. I am focusing in particul...
Digital technology has greatly increased access to music, both recordings and scores, protected by c...
13 p. ; An outstanding student paper selected as a Honors Paper.Copyright law governing digital musi...
For over 150 years, federal copyright law in the United States reflected and reinforced the model of...
In the digital environment, copyright law has become trapped in an assessment of what has been taken...
Copyright has been struggling to keep up with the fast-paced technological advancements and the deve...
Digital technologies are often said (1) to enable a qualitatively new engagement with already exist...
This paper seeks to explore how the implementation of open access licences onto recordings and other...
The purpose of this paper is to describe, explain, and assess the most significant legislative chang...
The borrowing and rearrangement of musical content, especially in the digital context, raises diffic...
Defence date: 12 December 2011Examining Board: Professor Giovanni Sartor, European University Instit...
Although the availability and suitability of copyright protection for computer software has been muc...
Copyright lies at the very heart of the music business. Copyright law determines the social framewor...
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