台湾 BL 剧的男同建构与再现——以《HIStory 2: 越界》和 HIStory 3: 那一天》为例 = An analysis of the construction and representation of male homosexuality in Taiwanese Boy's love drama series— HIStory 2: Crossing the line and HIStory 3: Make our days count

上世纪 90 年代，Boys’ Love漫画文本正式从日本传入台湾，并在台湾发展生根。BL文学的主要创作者和受众大部分是女性。这些女性通过BL文本实现自己的幻想，以女性视角凝视男同性爱，从而反抗父权社会。 自2017年台湾第一部本土制作的BL网剧正式上线之后，BL剧成为台湾娱乐产业重要的一环。随着BL剧的讨论声越来越高，不同平台相继推出自制BL剧。本文将以《HIStory》系列中的两部校园剧《HIStory 2：越界》和《History 3：那一天》为例。以性/别二元论，和巴特勒的性别操演理论的角度研究角色以及剧情等方面去探讨台湾的BL网剧如何建构和再现同性之间的爱。同时，研究也会结合网友对剧情的留言去分析男同性爱如何被凝视和幻想。笔者发现，虽然BL剧有在削弱对男同的刻板印象，但是，BL剧却仍然受到女性幻想和凝视影响。 In the 1990s, the Boys' Love literature, which originated in Japan, was officially introduced and took root in Taiwan. The main creators and audiences of BL literature are mostly women. These women live out their fantasies through BL literature, female gazing at homosexual male as a form of rebelling against the patriarchal society. Since the official launch of Taiwan's first locally produced BL web drama in 2017, BL drama have become an important part of Taiwan's entertainment industry. As the popularity of BL drama grew, different OTT platforms have successively launched BL web drama of their own. This research centers around two BL dramas "HIStory 2: Crossing The Line" and "HIStory 3: Make Our Days Count" in the "HIStory" series. This thesis will take on the perspective of gender binary and Butler’s gender performativity, studying characters and plots to explore how Taiwanese BL web dramas construct and represent homosexuality. At the same time, the study will also combine netizens' comments to analyse how homosexuality is gazed and fantasized.Bachelor of Arts in Chines