130 p.Films have function of bearing and transmission of ideology. With combination of sound, light and images, directors express their understandings and thoughts towards human being and society. The audience examines the values passed by director in the aesthetic way, while a proven ideology will be passed in a short time. The audiences, who were touched by this theoretical verification process, thereafter have positive attitudes or disillusion on their own values and behavior patterns and fresh idea on "human beings to human beings", "human beings and nature" and "the relationship between people and society". In this sense, movies play strong impact on consciousness and behavior of human beings virtually.Master of Arts (Contemporary Chin...
The changes brought on by China's reforms from 1978 onwards have inevitably had a significant impact...
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In China on Screen, Chris Berry and Mary Farquhar, leaders in the field of Chinese film studies, exp...
In the 2000s, Chinese film industry, the most important propaganda apparatus of the Chinese Communis...
The changes brought on by China's reforms from 1978 onwards have inevitably had a significant impact...
This study looks at nationalism in China since the 1980s. It attempts to examine whether nationalism...
To argue that films are ideological products is not in any way controversial. Rather, this is the ve...
101 pagesChinese film stands as a cinematic barometer for the country's ideological vicissitudes. T...
This theses, of primarily a sociological nature, aims to examine the emergence of post-Mao Chinese c...
The Chinese cinema from 1984 to 1989 was certainly different from that of the previous period based ...
This research examines how Chinese political films frame national image at the present time (2000s) ...
Since the beginning of the 21st century, Chinese movies have shown a strong tendency towards the ada...
A tour de force chronicling the development of realism in Chinese cinema The history of Chinese cin...
This article aims to present the basic characteristics and political function of the centralized pla...
What role did cinema play in the Chinese Communist Party’s political project of shaping ideal social...
Chinese-language cinema has been undergoing dramatic changes since 2000. Many of these changes paral...
The article deals with the problems of Chinese language peculiarities and the elaboration of teachin...
In China on Screen, Chris Berry and Mary Farquhar, leaders in the field of Chinese film studies, exp...
In the 2000s, Chinese film industry, the most important propaganda apparatus of the Chinese Communis...
The changes brought on by China's reforms from 1978 onwards have inevitably had a significant impact...
This study looks at nationalism in China since the 1980s. It attempts to examine whether nationalism...
To argue that films are ideological products is not in any way controversial. Rather, this is the ve...