Add to ORKGThis article examines the significance of the 1938 Empire Exhibition in defining relations between Glasgow Corporation's film sponsorship activities, the early Scottish documentary film movement and Glasgow's position in Scottish identity after the Second World War. The research for this article, and for its pair, Sadness and Gladness, led to the exhibition Sadness and Gladness and its related events
In the years during and immediately after the first world war, a number of Scottish burghs considere...
International audience"Glasgow's Turnaround" is the first part of a two part research documentary. I...
First paragraph: In an article in the Scottish cultural magazine, The Drouth, Mark Cousins provocati...
This article examines the significance of the 1938 Empire Exhibition in defining relations between G...
Lebas states that this essay on the first period of Glasgow Corporation's cinematic enterprise in Sc...
Lebas states that this essay on the first period of Glasgow Corporation's cinematic enterprise in Sc...
This exhibition, which I co-curated with Miles Glendinning (who was concerned with the photographic ...
The 1938 British Empire Exhibition held in Glasgow was the last of its kind, a spectacular event tha...
This thesis investigates the development of the audience for early cinema in Glasgow. It takes a soc...
First paragraph: A central idea in current film historiography is that “the experience of cine...
First paragraph: A central idea in current film historiography is that “the experience of cine...
This on-line article 'Challenge to Fascism: Glasgow's May Day' (1938) is about Helen Biggar's (1909-...
This article charts commercial cinema’s role in promoting the war effort in Scotland during th...
This article proposes that due to its very different production and exhibition networks, amateur cin...
This article is the first to explore the Scottish Co-operative Wholesale Society’s use of film duri...
In the years during and immediately after the first world war, a number of Scottish burghs considere...
International audience"Glasgow's Turnaround" is the first part of a two part research documentary. I...
First paragraph: In an article in the Scottish cultural magazine, The Drouth, Mark Cousins provocati...
This article examines the significance of the 1938 Empire Exhibition in defining relations between G...
Lebas states that this essay on the first period of Glasgow Corporation's cinematic enterprise in Sc...
Lebas states that this essay on the first period of Glasgow Corporation's cinematic enterprise in Sc...
This exhibition, which I co-curated with Miles Glendinning (who was concerned with the photographic ...
The 1938 British Empire Exhibition held in Glasgow was the last of its kind, a spectacular event tha...
This thesis investigates the development of the audience for early cinema in Glasgow. It takes a soc...
First paragraph: A central idea in current film historiography is that “the experience of cine...
First paragraph: A central idea in current film historiography is that “the experience of cine...
This on-line article 'Challenge to Fascism: Glasgow's May Day' (1938) is about Helen Biggar's (1909-...
This article charts commercial cinema’s role in promoting the war effort in Scotland during th...
This article proposes that due to its very different production and exhibition networks, amateur cin...
This article is the first to explore the Scottish Co-operative Wholesale Society’s use of film duri...
In the years during and immediately after the first world war, a number of Scottish burghs considere...
International audience"Glasgow's Turnaround" is the first part of a two part research documentary. I...
First paragraph: In an article in the Scottish cultural magazine, The Drouth, Mark Cousins provocati...