Add to ORKGRecent trends have identified ways in which practitioners engage in research processes which are commensurate with those of traditional scholarship. Using historiography as an example, it is argued that scholarship is also, conversely, an artistic act in its use of 'expert intuition' and in the creation of its language and narrative fictions
The impetus for the present research comes from questions that arose in projects of collaborative wr...
The textual turn is a good friend of expert spectating, where it assumes the role of writing-product...
The documentation of dance regularly asserts a false concept. This is that dances can be fixed, like...
This investigation is in part a response to the „turn to practice ‟ that has captured the attention ...
This paper investigates certain philosophical implications of asking a dance artist for an account o...
This paper investigates certain philosophical implications of asking a dance artist for an account o...
In dance, where there is generally no recourse to score or script, issues of preservation have been ...
In dance, where there is generally no recourse to score or script, issues of preservation have been ...
This multi-component output comprises a piece of professional practice on which I was dramaturg and ...
In ‘The Sense of the Past’ (1999) Shelley Berg argues that ‘[a]lthough the performance and analysis ...
In dance, where there is generally no recourse to score or script, issues of preservation have been ...
Recent attempts to situate practice-based dance as a subject for academic research have proven to be...
This text comprises commissioned writing on new research. Commissioning and editorial decisions were...
Choreographing History, a collection of essays edited and introduced by Susan Leigh Foster, explores...
The impetus for the present research comes from questions that arose in projects of collaborative wr...
The impetus for the present research comes from questions that arose in projects of collaborative wr...
The textual turn is a good friend of expert spectating, where it assumes the role of writing-product...
The documentation of dance regularly asserts a false concept. This is that dances can be fixed, like...
This investigation is in part a response to the „turn to practice ‟ that has captured the attention ...
This paper investigates certain philosophical implications of asking a dance artist for an account o...
This paper investigates certain philosophical implications of asking a dance artist for an account o...
In dance, where there is generally no recourse to score or script, issues of preservation have been ...
In dance, where there is generally no recourse to score or script, issues of preservation have been ...
This multi-component output comprises a piece of professional practice on which I was dramaturg and ...
In ‘The Sense of the Past’ (1999) Shelley Berg argues that ‘[a]lthough the performance and analysis ...
In dance, where there is generally no recourse to score or script, issues of preservation have been ...
Recent attempts to situate practice-based dance as a subject for academic research have proven to be...
This text comprises commissioned writing on new research. Commissioning and editorial decisions were...
Choreographing History, a collection of essays edited and introduced by Susan Leigh Foster, explores...
The impetus for the present research comes from questions that arose in projects of collaborative wr...
The impetus for the present research comes from questions that arose in projects of collaborative wr...
The textual turn is a good friend of expert spectating, where it assumes the role of writing-product...
The documentation of dance regularly asserts a false concept. This is that dances can be fixed, like...