Collaborators can ask various questions of each other. What’s the product? Who’s doing what? How do you know? How can you judge it? Do we agree? Does this work? Is this collaborating? This text focuses on selected aspects of the necessary artistic attitude underlying productive collaboration, and attempts to articulate some of the philosophical and ethical / moral issues underlying collaboration. (This essay is in a visual artist's catalogue
© 2010 Natalie GrantThis research investigates the collaborative processes that occur when new creat...
This output is my contribution to a publication resulting from a collaboration which set out to inve...
The current cultural climate is stimulating an increasing interest in, and need for, collaboration t...
Collaborators can ask various questions of each other. What’s the product? Who’s doing what? How do ...
Collaboration in the visual arts has presented itself in many ways ranging from the common exquisite...
This essay poses the question ‘who are the we in collaboration’? At a time when the rhetoric of coll...
Many consider the world of visual art to be a strictly individualistic field; an individual sculptor...
Collaboration is an issue at the centre of Performance Arts Research. It is understood differently i...
Over the last several decades, collaborative, social practices have become an important and fundamen...
Rather than seeing collaboration as a 'goal' or something to measure as 'collaborative enough', the ...
We present an analysis of work completion couched in terms of an effective completion decision ident...
Though collaboration has been evident throughout the History of art, the purpose of this study was t...
We all collaborate from birth, in learning language for instance, in learning to play, and as writer...
This paper presents an approach to investigating interdisciplinary collaboration between an artist a...
Writing about their art practice and nature of collaboration in relation to the institution, Cornfor...
© 2010 Natalie GrantThis research investigates the collaborative processes that occur when new creat...
This output is my contribution to a publication resulting from a collaboration which set out to inve...
The current cultural climate is stimulating an increasing interest in, and need for, collaboration t...
Collaborators can ask various questions of each other. What’s the product? Who’s doing what? How do ...
Collaboration in the visual arts has presented itself in many ways ranging from the common exquisite...
This essay poses the question ‘who are the we in collaboration’? At a time when the rhetoric of coll...
Many consider the world of visual art to be a strictly individualistic field; an individual sculptor...
Collaboration is an issue at the centre of Performance Arts Research. It is understood differently i...
Over the last several decades, collaborative, social practices have become an important and fundamen...
Rather than seeing collaboration as a 'goal' or something to measure as 'collaborative enough', the ...
We present an analysis of work completion couched in terms of an effective completion decision ident...
Though collaboration has been evident throughout the History of art, the purpose of this study was t...
We all collaborate from birth, in learning language for instance, in learning to play, and as writer...
This paper presents an approach to investigating interdisciplinary collaboration between an artist a...
Writing about their art practice and nature of collaboration in relation to the institution, Cornfor...
© 2010 Natalie GrantThis research investigates the collaborative processes that occur when new creat...
This output is my contribution to a publication resulting from a collaboration which set out to inve...
The current cultural climate is stimulating an increasing interest in, and need for, collaboration t...