The Theatre of Photography research group convened by Wiebke Leister explores staging practices that engage both the camera and its visual histories into modes of theatre production, thus stressing how photography is performative, as such, when giving and enhancing the condition of the resulting images, i.e. scenarios that only exist for the camera. Including who is staged in those frames – the fame of the proscenium arch, the view finder of the camera and the border of the photographic image – and who or what might exist beyond it, off-frame, as if it had never been staged. In particular the relationship between model and photographer, which meanders between recording, reacting to cues, acting out and re-enacting, and how these translate t...