Add to ORKGBook chapter from a conference paper given in Zaragoza in September 2021. This chapter looks at the rationale in feminist art history for selecting certain artists over others as subjects of interest. It looks at 6 women artists from the period as case studies who were connected to the Artists International Association and examines their commitment to Communism/feminism: Pearl Binder, Felicia Browne, Nan Youngman, Edith Tudor-Hart, Peggy Angus
The chapter examines the conditions for women's film and video practices in London in the early year...
The Women Artists Shows·Salons·Societies project was launched in 2017 as a collaboration between Art...
There are a startling number of women artists making themselves the subject of their own work today....
Book chapter from a conference paper given in Zaragoza in September 2021. This chapter looks at the ...
Taking the Women's Weekend Conference held at Ruskin College, Oxford as my starting point, this thes...
This thesis offers a feminist reading of women’s art in Britain and North America in the 1970s. Thro...
This paper explores Griselda Pollock’s early work of the 1970s. It traces her development of feminis...
Women Artists in Interwar France: Framing Femininities illuminates the importance of the Societe de...
My research examines the output of over 150 female artists who contributed to the 'poster movement' ...
Nearly a century ago Virginia Woolf addressed a group of women scholars in England, positing the ide...
The texts gathered in this volume embrace women artists-only exhibitions, festivals, collective art ...
This chapter examines the work of women artists working in Paris during the period 1910-1930. It foc...
Starting with a critique of existing methodologies and histories of the period, this book examines t...
Remaking Picasso's Guernica is a collective that has, since 2012, been working together to re-create...
This panel invites proposals that assess the sources of the radical political and artistic tendencie...
The chapter examines the conditions for women's film and video practices in London in the early year...
The Women Artists Shows·Salons·Societies project was launched in 2017 as a collaboration between Art...
There are a startling number of women artists making themselves the subject of their own work today....
Book chapter from a conference paper given in Zaragoza in September 2021. This chapter looks at the ...
Taking the Women's Weekend Conference held at Ruskin College, Oxford as my starting point, this thes...
This thesis offers a feminist reading of women’s art in Britain and North America in the 1970s. Thro...
This paper explores Griselda Pollock’s early work of the 1970s. It traces her development of feminis...
Women Artists in Interwar France: Framing Femininities illuminates the importance of the Societe de...
My research examines the output of over 150 female artists who contributed to the 'poster movement' ...
Nearly a century ago Virginia Woolf addressed a group of women scholars in England, positing the ide...
The texts gathered in this volume embrace women artists-only exhibitions, festivals, collective art ...
This chapter examines the work of women artists working in Paris during the period 1910-1930. It foc...
Starting with a critique of existing methodologies and histories of the period, this book examines t...
Remaking Picasso's Guernica is a collective that has, since 2012, been working together to re-create...
This panel invites proposals that assess the sources of the radical political and artistic tendencie...
The chapter examines the conditions for women's film and video practices in London in the early year...
The Women Artists Shows·Salons·Societies project was launched in 2017 as a collaboration between Art...
There are a startling number of women artists making themselves the subject of their own work today....