This paper aims to highlight the articulation of skin memory with trans-Caribbean aesthetics by exploring the diasporic works of female diasporic artists born in the West Indies who emigrated to the United States. We intend to show how these contemporary female artists rewrite the codification and reception of the skin-related memory by connecting their artwork to a genealogy of traumas and healing practices that call for the empowerment of the Caribbean skin ego
International audienceThrough the prism of archipelicity, the artistic production of the Afro-Americ...
In this hybrid dissertation, “Poco Mas/A Poetics of Salvage and Speculation in the Caribbean Diaspor...
The objectification of women’s bodies through the Western art trope of the female nude debilitates a...
The slave trade and colonial regimes disrupted the collectivity and history of the Caribbean populat...
This thesis approaches the issue of form in the Caribbean novel from the perspective of the key role...
Could New World Art constitute the locus of the transfer between antagonistic libidinal, poly-trauma...
Definitely, this dissertation's central intellectual and political aims are rooted in a guiding prin...
This monograph is a culmination of 10 years research of visual material associated with Caribbean co...
This paper zooms in on the notion of coloniality with a view to understanding how it is rehearsed in...
This thesis is a sustained meditation on the relationship between embodiment, memory and cultural c...
Artists, Aesthetics, and Migrations: Contemporary Visual Arts and Caribbean Diaspora in Miami, Flori...
Art of the transnational Caribbean has come to be positioned by an understanding of the African dias...
This dissertation examines the ways in which contemporary Caribbean visual artists and writers are c...
Founded on the significance of the skin bleaching phenomenon in Jamaica, and the persistent influenc...
This exhibit focuses on the interplay between U.S. Latinx/ Latin American / Caribbean scholarly and ...
International audienceThrough the prism of archipelicity, the artistic production of the Afro-Americ...
In this hybrid dissertation, “Poco Mas/A Poetics of Salvage and Speculation in the Caribbean Diaspor...
The objectification of women’s bodies through the Western art trope of the female nude debilitates a...
The slave trade and colonial regimes disrupted the collectivity and history of the Caribbean populat...
This thesis approaches the issue of form in the Caribbean novel from the perspective of the key role...
Could New World Art constitute the locus of the transfer between antagonistic libidinal, poly-trauma...
Definitely, this dissertation's central intellectual and political aims are rooted in a guiding prin...
This monograph is a culmination of 10 years research of visual material associated with Caribbean co...
This paper zooms in on the notion of coloniality with a view to understanding how it is rehearsed in...
This thesis is a sustained meditation on the relationship between embodiment, memory and cultural c...
Artists, Aesthetics, and Migrations: Contemporary Visual Arts and Caribbean Diaspora in Miami, Flori...
Art of the transnational Caribbean has come to be positioned by an understanding of the African dias...
This dissertation examines the ways in which contemporary Caribbean visual artists and writers are c...
Founded on the significance of the skin bleaching phenomenon in Jamaica, and the persistent influenc...
This exhibit focuses on the interplay between U.S. Latinx/ Latin American / Caribbean scholarly and ...
International audienceThrough the prism of archipelicity, the artistic production of the Afro-Americ...
In this hybrid dissertation, “Poco Mas/A Poetics of Salvage and Speculation in the Caribbean Diaspor...
The objectification of women’s bodies through the Western art trope of the female nude debilitates a...