The aims of this study were to i) evaluate proximal-to-distal sequencing (PDS) in pianists’ attack and release movements during pressed-staccato keystrokes, and ii) investigate if trunk motion facilitates PDS of upper-limb movements. Nine expert pianists performed a series of loud pressed-staccato keystrokes. Kinematic data was recorded with a 3 D motion capture system. PDS was assessed by comparing temporal organization of peak velocities from the pelvis to the wrist. Evidence of PDS was found across the kinematic chain. Pianists’ use of PDS differed mainly between scapula and shoulder movements. Trunk motion facilitated PDS by increasing anticipatory shoulder movements and by preceding shoulder-girdle attack and release movements. Implica...
Body movements require the activity of muscles fired by their motor neurons, controlled and coordina...
The purpose of the study was to examine whether differences exist in the motions employed by pianist...
Established pedagogical theories for classical piano usually do not consider the essential relations...
Playing-related musculoskeletal disorders (PRMDs) in pianists can lead to the cessation of performan...
Repetitive movements are considered a risk factor for developing practice-related musculoskeletal di...
Several biomechanical studies have been done with regard to the fingertip, hand, wrist, and upper ar...
<div><p>Skilled piano performance requires considerable movement control to accomplish the high leve...
Skilled piano performance requires considerable movement control to accomplish the high levels of ti...
The movements required for piano playing usually involve low impact loads that do not exceed physiol...
A pianist’s movements are fundamental to music-making by producing the musical sounds and the expres...
For top performers, including athletes and musicians, even subtle inconsistencies in rhythm and forc...
Piano performance involves a large repertoire of highly skilled movements. The acquisition of these ...
Piano playing techniques demand a fast coordination of intellectual and body response to accomplish ...
Piano performance involves a large repertoire of highly skilled movements. The acquisition of these ...
To date, systematic biomechanical explorations of music performance have been scarce. In many huma...
Body movements require the activity of muscles fired by their motor neurons, controlled and coordina...
The purpose of the study was to examine whether differences exist in the motions employed by pianist...
Established pedagogical theories for classical piano usually do not consider the essential relations...
Playing-related musculoskeletal disorders (PRMDs) in pianists can lead to the cessation of performan...
Repetitive movements are considered a risk factor for developing practice-related musculoskeletal di...
Several biomechanical studies have been done with regard to the fingertip, hand, wrist, and upper ar...
<div><p>Skilled piano performance requires considerable movement control to accomplish the high leve...
Skilled piano performance requires considerable movement control to accomplish the high levels of ti...
The movements required for piano playing usually involve low impact loads that do not exceed physiol...
A pianist’s movements are fundamental to music-making by producing the musical sounds and the expres...
For top performers, including athletes and musicians, even subtle inconsistencies in rhythm and forc...
Piano performance involves a large repertoire of highly skilled movements. The acquisition of these ...
Piano playing techniques demand a fast coordination of intellectual and body response to accomplish ...
Piano performance involves a large repertoire of highly skilled movements. The acquisition of these ...
To date, systematic biomechanical explorations of music performance have been scarce. In many huma...
Body movements require the activity of muscles fired by their motor neurons, controlled and coordina...
The purpose of the study was to examine whether differences exist in the motions employed by pianist...
Established pedagogical theories for classical piano usually do not consider the essential relations...