The article presents two unpublished sculptures preserved at Palazzo Giusti in Verona, the emperors Marcus Aurelius and Lucius Verus as Fratres Arvales. The essay investigates the hypothetical context of origin (Venice, Palazzo Molin in San Stin) and the provenance of the statues from the Roman market of antiquities, especially Marcus Aurelius from the Mattei collection. It traces also the history of an unusual iconography, the one of the emperor as Frater Arvalis, examining the events of the sixteenth century, which involve Pirro Ligorio and Baldassarre and Sallustio Peruzzi, and those of the eighteenth century, connected to the formation of the Museo Pio Clementino, as well as the nineteenth-century excavations carried out by Wilhelm Henz...
This paper aims to shed light on Girolamo Ascanio Molin (1738-1814), a Venetian patrician who dedica...
A portrait of Emperor Vespasian on a modern bust, previoulsy unpublished, has been identified in the...
The article examines a Julio-Claudian iconographic type attested by three sculptures, each represent...
This article focuses on the antiquarian and literary fortune of the ancient statues that Pope Julius...
The article is focusing on the central role of the emperor Lucius Verus and on the impact of his mil...
L’articolo esamina la storia di una base di statua di Marco Aurelio, già reimpiegata nella cattedral...
Il contributo prende in esame il gruppo equestre di Oldrado da Tresseno, collocato sulla facciata de...
The article addresses the collection of Roman portrait busts in the National Museum in Poznań, Polan...
Among the many marble portrait busts executed by the Ferrarese sculptor Alfonso Lombardi (c. 1497 - ...
The essay analyses in depth the collection of two members of the Pompei’s family, Giulio and Alessan...
The purpose of this article is to offer a new study of the carved decorations of Arles theater durin...
This paper aims to shed light on Girolamo Ascanio Molin (1738-1814), a Venetian patrician who dedica...
This article examines the collection of the neglected nobleman Fabio Fani, based on the evidence of ...
Head of Marcus Aurelius; Initially Michelangelo was asked to design a base for the ancient equestria...
This paper aims to shed light on Girolamo Ascanio Molin (1738-1814), a Venetian patrician who dedica...
A portrait of Emperor Vespasian on a modern bust, previoulsy unpublished, has been identified in the...
The article examines a Julio-Claudian iconographic type attested by three sculptures, each represent...
This article focuses on the antiquarian and literary fortune of the ancient statues that Pope Julius...
The article is focusing on the central role of the emperor Lucius Verus and on the impact of his mil...
L’articolo esamina la storia di una base di statua di Marco Aurelio, già reimpiegata nella cattedral...
Il contributo prende in esame il gruppo equestre di Oldrado da Tresseno, collocato sulla facciata de...
The article addresses the collection of Roman portrait busts in the National Museum in Poznań, Polan...
Among the many marble portrait busts executed by the Ferrarese sculptor Alfonso Lombardi (c. 1497 - ...
The essay analyses in depth the collection of two members of the Pompei’s family, Giulio and Alessan...
The purpose of this article is to offer a new study of the carved decorations of Arles theater durin...
This paper aims to shed light on Girolamo Ascanio Molin (1738-1814), a Venetian patrician who dedica...
This article examines the collection of the neglected nobleman Fabio Fani, based on the evidence of ...
Head of Marcus Aurelius; Initially Michelangelo was asked to design a base for the ancient equestria...
This paper aims to shed light on Girolamo Ascanio Molin (1738-1814), a Venetian patrician who dedica...
A portrait of Emperor Vespasian on a modern bust, previoulsy unpublished, has been identified in the...
The article examines a Julio-Claudian iconographic type attested by three sculptures, each represent...