This embodiment study is presented in video from the qualitative analysis of two dancers’ experiences with dancing and writing using Motif Notation as they engaged in the practice of learning a dance from video. They interpreted their scores, revised the notation, and performed for accuracy. Through the dancers’ voices, movement, and Motif Notation scores, the study captures dancers’ experiences of how score writing can inform embodiment of an unfamiliar dance style. The dancers shared their self-discovery processes of using intellect to deepen embodiment—and embodiment to deepen intellect. The study with these two dancers revealed that (1) Motif Notation deepens cognitive, social-emotional, and psychomotor learning, and (2) notating while ...
My undergraduate honors distinction research explores the reconstruction of a historical dance work ...
This document is the Accepted Manuscript version of the following article: Helen Payne, 'The Psycho-...
In this practitioner’s perspective paper, the author discusses an experience in which she notated a ...
Four undergraduate dance majors learned Motif Notation and Labanotation using a second-language acqu...
Structure: In my session, I will share my research of students’ stories about making dances usingmot...
This case study reveals the development, application, experiences, and outcomes of a model ofdance l...
This statistical study of 272 dancers, ages 18–96, using Kolb Learning Styles Inventory 4.0, identif...
This article provides innovative learning taxonomies that extend Bloom’s taxonomies, and those of ot...
Traditional dance is considered today as preserving established spatial–rhythmical patterns without ...
This practice-led research employs choreographic and somatic practices, and their mediation through...
In this Special Issue, authors present studies and essays that use variations on the Triple CodeImag...
Intimacy Direction, a relatively new field in stage and film industries, refers to creating and sett...
Labanotation is commonly viewed as a purely quantitative form of description. Because of the preoccu...
As a scholar in a dance department, I am expected to produce words, not movement, scholarly research...
In this thesis I explore how contemporary dancers’ ‘sense-abilities’ and movement are shaped by anat...
My undergraduate honors distinction research explores the reconstruction of a historical dance work ...
This document is the Accepted Manuscript version of the following article: Helen Payne, 'The Psycho-...
In this practitioner’s perspective paper, the author discusses an experience in which she notated a ...
Four undergraduate dance majors learned Motif Notation and Labanotation using a second-language acqu...
Structure: In my session, I will share my research of students’ stories about making dances usingmot...
This case study reveals the development, application, experiences, and outcomes of a model ofdance l...
This statistical study of 272 dancers, ages 18–96, using Kolb Learning Styles Inventory 4.0, identif...
This article provides innovative learning taxonomies that extend Bloom’s taxonomies, and those of ot...
Traditional dance is considered today as preserving established spatial–rhythmical patterns without ...
This practice-led research employs choreographic and somatic practices, and their mediation through...
In this Special Issue, authors present studies and essays that use variations on the Triple CodeImag...
Intimacy Direction, a relatively new field in stage and film industries, refers to creating and sett...
Labanotation is commonly viewed as a purely quantitative form of description. Because of the preoccu...
As a scholar in a dance department, I am expected to produce words, not movement, scholarly research...
In this thesis I explore how contemporary dancers’ ‘sense-abilities’ and movement are shaped by anat...
My undergraduate honors distinction research explores the reconstruction of a historical dance work ...
This document is the Accepted Manuscript version of the following article: Helen Payne, 'The Psycho-...
In this practitioner’s perspective paper, the author discusses an experience in which she notated a ...